Variation of the script in the East-Slavonic manuscripts of the 15th – 16th centuries

M. Korogodina
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Abstract

The scripts of the East-Slavonic manuscripts modify significantly in the 15th and 16th centuries. New types of scripts and styles of handwriting are appeared in that time. The multiplicity of the patterns makes up many scribes to master several styles of handwriting and to vary them depending on their goals. They often use another style of handwriting for the scribe’s note. It allows a scribe to differ the main text from the information about him. Various styles of handwriting, belonged to the same scribe, were used for coding different types of text and different genres. It led to the forming in the 16th century of the close connection of the style of the script not only with the genre of the book, but with its destination also. So appearance of new styles of scripts and variation of them testifies about shifts in the attitude to the culture heritage in East-Slavonic region. The ability of scribes to write in various handwritten styles poses the question of attribution of handwriting to researchers. Currently, there is no methodology for solving this applied problem. To date, studies of the functions and structure of the scribal manner, its relationship with the genre and purpose of the text are more promising. For example, to create a book the copyist takes into account the height of the line, its ratio to the proportions of the sheet, the mirror of the text, the width of the margins and even the thickness of this book. It is important not only the time and region of the appearance of new handwriting, but also their transition to those handwritten books whose writing had previously been standardized. Any changes in the design and appearance of the book – for example, the use of unusually small and dense handwriting, the appearance of pocket books that are copied into an eighth part of a sheet – speak of new functions of the book and the formation of new traditions.
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15 - 16世纪东斯拉夫手稿中文字的变体
东斯拉夫手稿的文字在15世纪和16世纪进行了重大修改。在那个时期出现了新的文字类型和书写风格。图案的多样性使许多抄写员掌握了几种风格的笔迹,并根据他们的目标来改变它们。他们经常用另一种笔迹作抄写员的笔记。它允许抄写员区分主要文本和关于他的信息。不同风格的笔迹,属于同一个抄写员,用于编码不同类型的文本和不同的体裁。这导致了16世纪剧本风格的形成,不仅与书的类型密切相关,而且与书的目的地也密切相关。因此,新文字风格的出现和变化证明了东斯拉夫地区对文化遗产态度的转变。抄写员以各种手写风格书写的能力给研究人员提出了笔迹归属的问题。目前,还没有解决这个应用问题的方法。迄今为止,对抄写方式的功能和结构、抄写方式与文本体裁和目的的关系的研究比较有前景。例如,在制作一本书时,抄写员会考虑线条的高度、线条与纸张的比例、文本的镜像、页边距的宽度,甚至是这本书的厚度。重要的不仅是新手写体出现的时间和地区,而且是它们向以前标准化的手写体书籍的过渡。书的设计和外观的任何变化——例如,使用异常小而密集的笔迹,袖珍书的出现,被抄写成一张纸的八分之一——都说明了书的新功能和新传统的形成。
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来源期刊
CiteScore
0.30
自引率
0.00%
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0
审稿时长
12 weeks
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