In Search of “The More Important” in String Quartet no. 1 by Dieter Acker

Iulia Mogoșan
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Abstract

"Dieter Acker’s String Quartet No. 1 represents a turning point in the composer’s output, being an opus composed in his last year of study in Sigismund Toduță’s composition class (1964) and one which brought him international recognition, winning second prize at the 1966 Prague Spring International Festival. This study presents biographical, historical, and analytical aspects of the work which are reflected in its musical structure, revealing both a respect for the historical tradition of past centuries and the search for new orientations of the musical avant-garde. Through arguments related to the biography of the young Dieter Acker, trained under Franz Xaver Dressler and Sigismund Toduță, the study presents the unity of meaning and content that is directly reflected in String Quartet No. 1. Keywords: Dieter Acker, String Quartet No. 1, Sigismund Toduță, Anton Webern reception, Palindrome "
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寻找弦乐四重奏中“更重要的”。迪特·阿克著
迪特尔·阿克的《第一弦乐四重奏》是他创作生涯的转折点,是他在Sigismund Toduță作曲班学习的最后一年(1964年)创作的作品,并为他带来了国际认可,在1966年布拉格之春国际音乐节上获得了二等奖。本研究展示了作品的传记、历史和分析方面,这些方面反映在其音乐结构中,揭示了对过去几个世纪历史传统的尊重和对音乐前卫新方向的探索。通过与年轻的迪特尔·阿克的传记相关的争论,在弗朗茨·泽维尔·德雷斯勒和西吉斯蒙德Toduță的训练下,研究呈现了直接反映在《第一弦乐四重奏》中的意义和内容的统一。关键词:迪特尔·阿克,第一弦乐四重奏,西吉斯蒙德Toduță,安东·韦伯的接待,回文曲
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