{"title":"All that Hollywood allows","authors":"Nick James","doi":"10.4324/9780203397381","DOIUrl":null,"url":null,"abstract":"Sam Mendes' fine performer-centred adaptation of Richard Yates' \"Revolutionary Road\" is creating awards buzz, but Yates' wider social bite is collateral damage","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"19 1","pages":"16-20"},"PeriodicalIF":0.4000,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SIGHT AND SOUND","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9780203397381","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 5
Abstract
Sam Mendes' fine performer-centred adaptation of Richard Yates' "Revolutionary Road" is creating awards buzz, but Yates' wider social bite is collateral damage
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