Heidegger: The formation of modern aesthetics and art as the appearance of culture

Sinteze Pub Date : 2022-01-01 DOI:10.5937/sinteze11-41959
Sasa Radovanovic
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Abstract

The paper analyzes Heidegger's views on aesthetics and art in the epoch of the new century. First, it is shown how Heidegger defines the general concept of aesthetics. Then the role of Descartes' philosophy in establishing the Being and the truth as a certainty in the epoch of the new century is shown. Modern aesthetics and art are formed within such a change of being and truth. In modern aesthetics, feeling and beauty are connected and taste, subjective judgment, is placed as a central concept. On the other hand, art is presented as a cultural phenomenon that distances itself from the Christian concept of art.
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海德格尔:现代美学的形成和艺术作为文化的表象
本文分析了新世纪时期海德格尔的美学观和艺术观。首先,展示了海德格尔如何定义美学的一般概念。在此基础上,论述了笛卡尔哲学在新世纪确立存在和真理的必然性方面所起的作用。现代美学和艺术就是在这种存在与真理的变化中形成的。在现代美学中,感觉和美是联系在一起的,而味觉,即主观判断,被置于一个中心概念。另一方面,艺术被呈现为一种文化现象,与基督教的艺术概念保持距离。
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