Thomas Chatterton: four ways of literary terra-forming

Nick Groom
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Abstract

This article considers how the 18th-century poet Thomas Chatterton created literary worlds by examining and revealing the connections between four very different areas in which he �terra-formed�: mediaevalism, political satire, anti-slavery poetry, and environmentalism. Although these areas of Chatterton�s writing are usually treated separately by critics, the article argues that they in fact share many common features, and between them characterise Chatterton�s distinctive � if extraordinarily precocious � poetic voices. These shared characteristics have, moreover, been brought into sharp relief by pressing current issues, from the traumas of the pandemic to the debates on the commemoration (and misrepresentation) of historical figures such as Edward Colston and indeed Chatterton himself. The article concludes by showing how readers can find in the poetry of Thomas Chatterton not only an unexpected influence on some of the major cultural touchstones of the 21st century, but contemporary significance and relevance through the consolation of literature.
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托马斯·查特顿:文学地形形成的四种方式
本文探讨了18世纪诗人托马斯·查特顿是如何通过研究和揭示他“形成”的四个截然不同的领域之间的联系来创造文学世界的:中世纪主义、政治讽刺、反奴隶制诗歌和环境保护主义。尽管评论家们通常把查特顿作品的这些方面分开对待,但本文认为,它们实际上有许多共同的特点,并且在它们之间塑造了查特顿独特的——如果是异常早熟的——诗歌声音。此外,从大流行病的创伤到关于纪念(和歪曲)爱德华·科尔斯顿(Edward Colston)甚至查特顿本人等历史人物的辩论等紧迫的当前问题,使这些共同特征得到了明显的缓解。文章最后向读者展示了托马斯·查特顿的诗歌不仅对21世纪的一些主要文化试金石产生了意想不到的影响,而且通过文学的安慰,读者可以发现他的诗歌具有当代意义和相关性。
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