William Gaddis’s Immortality: Celebration, Cartoon, or Corruption?

Q2 Arts and Humanities Orbit (Cambridge) Pub Date : 2013-11-24 DOI:10.7766/ORBIT.V2.1.66
Crystal Alberts
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引用次数: 0

Abstract

Although ostensibly a review of The Letters of William Gaddis edited by Steven Moore (Champaign: Dalkey Archive, 2013), this article evaluates Moore’s volume in light of generally accepted practices of scholarly editions and the handling of historical documents. In particular, Alberts compares some of Moore’s edited letters to the originals housed either at Washington University in St. Louis or the Harry Ransom Center at the University of Texas, Austin and reveals issues involving the representation of the archival material, inconsistencies in editorial principles, and a misattributed letter, among other things.
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威廉·加迪斯的不朽:庆祝、卡通还是腐败?
虽然表面上是对史蒂文·摩尔编辑的《威廉·加迪斯的书信》(香槟:达尔基档案馆,2013年)的评论,但本文根据普遍接受的学术版本和处理历史文件的做法来评估摩尔的卷。特别是,Alberts将摩尔的一些编辑过的信件与存放在圣路易斯华盛顿大学或奥斯汀德克萨斯大学哈里·兰森中心的原件进行了比较,并揭示了涉及档案材料的表现,编辑原则的不一致,以及错误归属的信件等问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Orbit (Cambridge)
Orbit (Cambridge) Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
8
审稿时长
15 weeks
期刊介绍: Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.
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