Integration of Handheld Guides in Museums: The Case of Lithuania’s Art Museums

Q3 Arts and Humanities Art History and Criticism Pub Date : 2019-12-01 DOI:10.2478/mik-2019-0005
Milda Rutkauskaitė
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Abstract

Summary The most common technological device found in organisations of cultural heritage is a handheld guide. This device can simultaneously perform several functions, and its integration in permanent expositions has significance both for the operation of organisations of cultural heritage and experience of visitors when they visit a museum or a gallery. It should be noted that art museums and galleries encounter a task to present often static and difficult to understand at first sight works of art in an interesting fashion. Therefore, in this study, the main functions of a handheld guide as a technological device as well as its benefits, problems, and application in art museums are analysed. In the first part of the study, various functions of handheld guides, their importance, the meaning produced for the organisation of cultural heritage, and experience of a visitor are analysed based on scientific literature. Problems of integration of handheld guides and strategic steps that should be taken to ensure a successful integration process are reviewed. In the second part, four cases of Lithuanian art museums are presented. All museums that participated in the survey were analysed by collecting observational data, communicating with the managers of the organisations, and analysing the experience of museum visitors using the handheld guide. Scientific literature presented in the article substantiates the importance of handheld guides in museums and possible problems of integration of such devices. The study conducted in Lithuanian art museums reveals the fact that handheld guides are significant devices that help improve the experience of a museum visitor, but it is also observed that handheld guides have not yet become an integral part of a visit to a Lithuanian art museum.
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手持导游在博物馆的整合:立陶宛艺术博物馆的案例
在文化遗产组织中最常见的技术设备是手持指南。这种装置可以同时执行多种功能,它在永久性展览中的整合对于文化遗产组织的运作和游客参观博物馆或画廊时的体验都具有重要意义。应该指出的是,艺术博物馆和画廊面临着一项任务,即以一种有趣的方式呈现通常是静态的、乍一看难以理解的艺术作品。因此,本研究分析了手持导览器作为一种技术设备的主要功能,以及它在美术馆中的优势、存在的问题和应用。在研究的第一部分,手持导游的各种功能,它们的重要性,对文化遗产组织的意义,以及游客的体验进行了基于科学文献的分析。审查了手持式指南一体化的问题以及为确保一体化进程成功而应采取的战略步骤。第二部分介绍了立陶宛艺术博物馆的四个案例。我们通过收集观察数据、与机构经理沟通,以及分析博物馆参观者使用手持式导览的体验,对所有参与调查的博物馆进行分析。文章中提出的科学文献证实了博物馆中手持导游的重要性以及这种设备集成可能存在的问题。在立陶宛艺术博物馆进行的研究揭示了这样一个事实,即手持导游是帮助改善博物馆游客体验的重要设备,但也观察到手持导游尚未成为参观立陶宛艺术博物馆不可或缺的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Art History and Criticism
Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
7
审稿时长
24 weeks
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