The Genesis of the Idea ‘Dutch Written Literature’ in Bohemia

Wilken Engelbrecht
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Abstract

Abstract Since mid-19th century Dutch and Flemish literature has often been translated into Central European languages. We find authors like Conscience, Multatuli or Heijermans almost everywhere, often with the same works. Until the late 19th century translations were often made via German. Czech had a special position. Though there is not that much translated into this language as into German, until World War II Czech was the language into which was translated more than into other Central European languages. Until the 20s many translators were writers themselves. This gives rise to questions such as how the choice was made, what is the position of a particular author or his work within translated literature? How was Dutch literature defined? In this paper, we give a look how the choice was made, at the position of translators of Dutch literature in the late 19th and early 20th century in the Czech literary field, the position of Dutch in their work and how this literature was received in translation.
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波西米亚“荷兰文字文学”概念的起源
自19世纪中期以来,荷兰语和佛兰德语文学经常被翻译成中欧语言。我们几乎在任何地方都能找到像Conscience、Multatuli或Heijermans这样的作家,他们的作品往往是一样的。直到19世纪后期,翻译通常都是通过德语进行的。捷克语有着特殊的地位。虽然捷克语的翻译量没有德语多,但在第二次世界大战之前,捷克语是被翻译成中欧语言最多的语言。直到20年代,许多翻译家本身就是作家。这就产生了一些问题,例如如何做出选择,特定作者或他的作品在翻译文学中的地位是什么?荷兰文学是如何定义的?在这篇论文中,我们将看看荷兰文学的翻译在19世纪末和20世纪初在捷克文学领域的地位是如何做出选择的,荷兰语在他们的工作中的地位以及这些文学是如何在翻译中被接受的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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