Sclerotic scatter and focusing in eye painting: light through darkness

É. Denion, Sophie Denion, F. Mouriaux, Guillaume Béraud
{"title":"Sclerotic scatter and focusing in eye painting: light through darkness","authors":"É. Denion, Sophie Denion, F. Mouriaux, Guillaume Béraud","doi":"10.21494/iste.op.2022.0893","DOIUrl":null,"url":null,"abstract":". We aimed at searching in color art paintings through all art periods from Ancient Egyptian Art to Contemporary Art for sclerotic scatter (SS) and peripheral light focusing (PLF), using large-scale internet databases. These phenomena originate from the illuminated side of the eyeshell: limbal sclera for SS or cornea for PLF. They end at the darkness of the opposite limbal scleral side, where they are either scattered (SS) or concentrated (PLF) forming a clear arc or spot of light, respectively (\"light through darkness\"). We found SS and PLF in 83 and 2 paintings respectively out of 113,962 paintings analyzed. These forms of objective chiaroscuro help to reconstruct a basic sense of eyeball modelling by bringing the limbus out of the shadows. Among the paintings with SS, most were painted during the following periods: Renaissance (44), Baroque (15), Rococo (11). Sixty-one of the paintings with SS have a dark background compatible with the fact that SS is more easily observed under low ambient light illuminance (\"light through darkness\"). subtle, rare of see them a new light, to their proper treatment and restoration and is likely to enhance their economic value.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"36 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21494/iste.op.2022.0893","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

. We aimed at searching in color art paintings through all art periods from Ancient Egyptian Art to Contemporary Art for sclerotic scatter (SS) and peripheral light focusing (PLF), using large-scale internet databases. These phenomena originate from the illuminated side of the eyeshell: limbal sclera for SS or cornea for PLF. They end at the darkness of the opposite limbal scleral side, where they are either scattered (SS) or concentrated (PLF) forming a clear arc or spot of light, respectively ("light through darkness"). We found SS and PLF in 83 and 2 paintings respectively out of 113,962 paintings analyzed. These forms of objective chiaroscuro help to reconstruct a basic sense of eyeball modelling by bringing the limbus out of the shadows. Among the paintings with SS, most were painted during the following periods: Renaissance (44), Baroque (15), Rococo (11). Sixty-one of the paintings with SS have a dark background compatible with the fact that SS is more easily observed under low ambient light illuminance ("light through darkness"). subtle, rare of see them a new light, to their proper treatment and restoration and is likely to enhance their economic value.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
眼部绘画中的硬化散射与聚焦:光穿透黑暗
. 我们的目标是使用大规模的互联网数据库,在从古埃及艺术到当代艺术的所有艺术时期的彩色艺术绘画中搜索硬化散射(SS)和外围光聚焦(PLF)。这些现象起源于受光照的一侧:SS的角膜缘巩膜或PLF的角膜。它们在另一侧巩膜侧的黑暗处结束,在那里它们要么分散(SS),要么集中(PLF),分别形成一个清晰的弧线或光点(“黑暗中的光”)。在分析的113962幅画作中,我们分别在83幅和2幅画作中发现了SS和PLF。这些形式的客观明暗对比通过将边缘带出阴影,帮助重建眼球建模的基本感觉。在带有SS的画作中,大多数是在以下时期完成的:文艺复兴时期(44),巴洛克时期(15),洛可可时期(11)。61幅带有SS的画作背景较暗,这与SS在低环境光照下更容易被观察到(“光穿透黑暗”)这一事实相一致。不易察觉、罕见的对它们另眼相看,对它们进行适当的处理和修复,很有可能提高它们的经济价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Néoplatonisme, Mathématiques et Art : l’oeuvre de Pavel Florenski On Antoine Risso and his Histoire Naturelle des Principales Productions de l’Europe Méridionale et Particulièrement de Celles des Environs de Nice et des Alpes Maritimes L’esthétique aujourd’hui ? Trois arguments en faveur de sa réhabilitation Léda et le Cygne de Léonard de Vinci à la Wilton House Indigo Dyeing and Fermentation Sukumo, Essential for Traditional Japanese Aizome
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1