The Camera as a Social Catalyst

IF 0.1 0 FILM, RADIO, TELEVISION Acta Universitatis Sapientiae-Film and Media Studies Pub Date : 2023-05-01 DOI:10.2478/ausfm-2023-0004
Sára Haragonics
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Abstract

Abstract The methodology, practical aspects and social embeddedness of participatory filmmaking and specifically the catalyst method developed by the author are presented in this study through workshop processes in Hungary. While the catalyst method is based on participatory video methodology, it uses film primarily for interpersonal communication, and its main goal is the use of the camera as a group cohesion and intergroup catalyst. The method addresses the representation and self-representation of participants along social fault lines through filmmaking, it is based on the principle of dialogue and aims at community building and participation. The method is hopefully applicable in other countries, as the democratising potential of participatory filmmaking for at least partially redressing existing inequalities can be utilized in other locations as well.1
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照相机作为社会催化剂
参与式电影制作的方法、实践方面和社会嵌入性,特别是作者开发的催化剂方法,通过匈牙利的研讨会过程在本研究中提出。而催化剂方法是基于参与式视频方法论,它主要使用电影进行人际交流,其主要目标是使用相机作为群体凝聚力和群体间催化剂。该方法通过电影制作解决了社会断层线上参与者的代表和自我代表,它基于对话原则,旨在建立社区和参与。这种方法有望适用于其他国家,因为参与式电影制作的民主化潜力至少可以部分地解决现有的不平等问题,也可以在其他地方得到利用
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来源期刊
自引率
0.00%
发文量
8
审稿时长
10 weeks
期刊最新文献
The Stakeholder Spectrum. The History and the Current State of Participatory Film in Hungary Immanence, Ethics and Dystopia in The Lobster by Yorgos Lanthimos You-Too: Mental Hygiene Methodology for College-Age Students Dance and the Mediated Immersive Flux in Carlos Saura’s Musical Hybrids with Live Feed The Camera as a Social Catalyst
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