{"title":"Mirada, memoria e imagen en El otro día, de Ignacio Agüero","authors":"Fernando. Pérez Villalón","doi":"10.7764/69.6","DOIUrl":null,"url":null,"abstract":"Este ensayo aborda la pelicula El otro dia (2014), de Ignacio Aguero, centrandose en las estrategias mediante las cuales el documental construye un espacio filmico y un modo de mirar a partir de la exploracion de la casa de su director y los lugares de residencia de quienes tocan su puerta, como punto de partida para una meditacion sobre la vita cotidiana y la memoria personal y colectiva. Se analiza la presencia en el documental de diversos tipos de imagenes (fotografias, pinturas, dibujos, grabados, afiches, citas filmicas) y la construccion por medio de diversas estrategias de una mirada respetuosa y reflexiva hacia los sujetos que protagonizan el filme.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/69.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
Este ensayo aborda la pelicula El otro dia (2014), de Ignacio Aguero, centrandose en las estrategias mediante las cuales el documental construye un espacio filmico y un modo de mirar a partir de la exploracion de la casa de su director y los lugares de residencia de quienes tocan su puerta, como punto de partida para una meditacion sobre la vita cotidiana y la memoria personal y colectiva. Se analiza la presencia en el documental de diversos tipos de imagenes (fotografias, pinturas, dibujos, grabados, afiches, citas filmicas) y la construccion por medio de diversas estrategias de una mirada respetuosa y reflexiva hacia los sujetos que protagonizan el filme.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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