VERSIONES DE ROUSSEAU: DAS ERDBEBEN IN CHILI O EL “RETORNO A LA NATURALEZA” COMO PALIMPSESTO LITERARIO.

AFEL Pub Date : 2018-12-31 DOI:10.1344/AFLC2018.8.1
Martín Baigorria
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Abstract

T he literary sources of the “back-to-nature” theme —as it is famously deployed in Heinrich v. Kleist´s Das Erdbeben in Chili (1807) — haven´t been yet enough studied. In the present essay we propose two important philological precedents, recognizable in C. M. Wieland´s Beytrage zur geheimen Geschichte des menschlichen Verstandes und Herzens (1770) and in Chapter Five, Book IV, from J. W. Goethe´s Wilhelm Meisters Lehrjahre (1795). Our main thesis is that Kleist´s literary approach to the intellectual and ideological issues involved in the different versions of the topic displays an unusual reading of J-J. Rousseau´s work in the aftermath of the French Revolution.
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卢梭的版本:《智利的ERDBEBEN》或《回归自然》作为文学重写本。
“回归自然”主题的文学来源——正如海因里希·v·克莱斯特(Heinrich v. Kleist)在1807年的《智利的一切》(Das Erdbeben in Chili)中所表达的那样——还没有得到足够的研究。在本文中,我们提出了两个重要的文献学先例,可以在C. M. Wieland的《人的本质》(1770)和J. W. Goethe的《Wilhelm meister Lehrjahre》(1795)的第四卷第五章中识别。我们的主要论点是克莱斯特的文学方法涉及的知识和意识形态问题的不同版本的主题显示了一个不同寻常的阅读J-J。卢梭在法国大革命后的作品。
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