Penerapan Arsitektur Dekonstruksi pada Perancangan Pusat Kreativitas Seni Media Baru di Pekanbaru

Muhammad Poeji Hartadinata, Yohannes ' Firzal, Gun Faisal
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Abstract

Culture movement in society has a linear relationship with the development of the art. To face the demands of the times, the artists start to integrate the arts with other disciplines in the process of the creation of works of art considered to be more able to accommodate the expression and the communication is conveyed in a work of art. This is known as new media art. New media art which is the result of undue hybridisation between pure art with technology capable of growing very rapidly. This development extends to all regions in Indonesia. In Pekanbaru, new media art was getting very enthusiasm of the pop art from a variety of backgrounds and ages, but it is unfortunate development is still lacking. This problem can be seen from the lack of facilities or container that can overshadow and accommodate creativity and introduce the work of new media art. Based on these problems, it needed a container that can overshadow the pop art new media as well as introduce new media art to the community, therefore drafted a center for creativity of new media art which can facilitate the activities in the field of new media art whether in the form of the process of creation of works of new media art and activities pertujukkan Design Creativity Center New Media Art is applying the principles of the Architecture of Deconstruction which has the meaning of freedom of the rhetorical structures of composition that is formal. The freedom of form that is a representation of the way of thinking the architecture of the deconstruction that do not want to be bound from the rules that have been there to interpret the freedom of the air-creativity, innovative and always fresh in the new media art. So in the hope Center for the arts creative media this can bring out the creativity of the artist through the architectural elements dekontruktif.
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解构主义建筑应用于新媒体艺术创作中心的设计
社会中的文化运动与艺术的发展呈线性关系。面对时代的要求,艺术家们在创作的过程中开始将艺术与其他学科相结合,认为这样更能容纳艺术作品的表达和传达。这就是所谓的新媒体艺术。新媒体艺术是纯粹艺术与技术过度混合的结果,能够迅速发展。这一发展扩展到印度尼西亚的所有地区。在北坎巴鲁,新媒体艺术受到了来自不同背景和时代的波普艺术的极大热情,但不幸的是,它的发展仍然缺乏。这一问题可以从缺乏遮蔽和容纳创意并引入新媒体艺术作品的设施或容器中看出。基于这些问题,它需要一个既能遮蔽波普艺术新媒体,又能将新媒体艺术引入社区的容器,因此起草了一个新媒体艺术创意中心,可以促进新媒体艺术领域的活动,无论是在新媒体艺术作品的创作过程和活动的形式pertujukkan设计创意中心,新媒体艺术是运用解构主义的建筑原则,具有自由的意义,修辞结构的构成是正式的。形式的自由是解构主义建筑的思维方式的一种表现,它不希望被束缚在已经存在的规则中,以解释空气的自由——在新媒体艺术中,创造力,创新和永远新鲜。所以希望艺术创意媒体中心可以通过建筑元素dekontruktif来激发艺术家的创造力。
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