{"title":"Bearbeitung als Schule interpretatorischer Gestaltungsmöglichkeiten","authors":"J. Hamer","doi":"10.31751/p.153","DOIUrl":"https://doi.org/10.31751/p.153","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"2014 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128154517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Harmonic Analysis of Max Reger’s “Four Tone Poems after Arnold Böcklin”, Op. 128","authors":"M. Dimitrijevic","doi":"10.31751/p.160","DOIUrl":"https://doi.org/10.31751/p.160","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121357063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Timing of Unequal Beats in Bulgarian Drumming","authors":"Daniel Goldberg","doi":"10.31751/p.198","DOIUrl":"https://doi.org/10.31751/p.198","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"572 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116205388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gegenwärtige kompositorische Praxis und auf sie bezogene Theorie","authors":"N. Fröhlich","doi":"10.31751/p.131","DOIUrl":"https://doi.org/10.31751/p.131","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130999802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fächerübergreifende Zusammenarbeit Musiktheorie und instrumentales Hauptfach am Beispiel des Kombifaches »Bläserkadenzen«","authors":"William Forman, R. Rabenalt","doi":"10.31751/p.167","DOIUrl":"https://doi.org/10.31751/p.167","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"143 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122123981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Of Genre, System and Process. Music Theory in a “Global Sonorous Space”","authors":"Brian Hulse","doi":"10.31751/p.93","DOIUrl":"https://doi.org/10.31751/p.93","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121486909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Zwischen Frau Musica und Modallehre. Geschlechtsspezifisches in der Musiktheorie des Mittelalters","authors":"Achim Diehr","doi":"10.31751/p.222","DOIUrl":"https://doi.org/10.31751/p.222","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124575947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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