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The Scottish Journal of Performance最新文献

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Dedication: It’s all allowed: inspired by Adrian 奉献:这都是允许的:灵感来自艾德里安
Pub Date : 2018-04-06 DOI: 10.14439/sjop.2018.0501.02
L. Bissell
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引用次数: 0
You do not have to walk on your knees 你不必跪着走路
Pub Date : 2018-04-06 DOI: 10.14439/SJOP.2018.0501.15
Peter McMaster
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引用次数: 0
Negotiating care: an exploration of non-place within a deafblind performance project 协商护理:对聋哑表演项目中非位置的探索
Pub Date : 2018-04-06 DOI: 10.14439/SJOP.2018.0501.05
Will Stringer
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引用次数: 0
Between care and self-care: dramaturgies of mindfulness in the work of the vacuum cleaner 在照顾和自我照顾之间:真空吸尘器工作中的正念戏剧
Pub Date : 2018-04-06 DOI: 10.14439/sjop.2018.0501.04
Stephen Greer
Since 2009, the performance work of ‘art and activist collective of one’ James Leadbitter—better known as the vacuum cleaner—has repeatedly engaged with issues surrounding mental illness, ‘madness’ and mental health discrimination. This paper explores the relationship of that work to the discourse of ‘mindfulness’, a form of cognitive therapy centred on cultivating a non-judgmental and present-focused attentiveness to one’s own mental state. While an increasing body of evidence suggests the potential health benefits of mindfulness, its broader application has been challenged for invoking forms of self-critique which elide the social factors that undermine well-being. In response, this paper examines how Leadbitter’s staging of the relationships between care and self-care might challenge the imperatives of individuated responsibility that are characteristic of neoliberal discourses. Rather than reproducing existing social relations, Leadbitter’s dramaturgies of mindfulness suggest how an attentiveness to one’s own wellbeing may be extended outwards as a response to others in prefigurative encounters which allow us to imagine and rehearse alternatives.
自2009年以来,詹姆斯·利德比特(James leadbitter)的表演作品“艺术与活动家集体”(更广为人知的名字是真空吸尘器)多次涉及与精神疾病、“疯狂”和精神健康歧视有关的问题。本文探讨了该工作与“正念”话语的关系,“正念”是一种以培养对自己精神状态的非判断性和当下关注为中心的认知治疗形式。虽然越来越多的证据表明正念对健康有潜在的好处,但它的广泛应用受到了挑战,因为它会引发各种形式的自我批评,从而忽略了损害健康的社会因素。作为回应,本文考察了利德比特对关怀和自我关怀之间关系的描述如何挑战新自由主义话语特征的个性化责任的必要性。Leadbitter对正念的戏剧手法并没有再现现有的社会关系,而是表明,对自己幸福的关注如何向外延伸,作为对他人的回应,在预示性的遭遇中,让我们想象和排练替代方案。
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引用次数: 0
Inside the hos(t)pital 医院内部
Pub Date : 2018-04-06 DOI: 10.14439/sjop.2018.0501.13
B. Harrison
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引用次数: 0
Listen to the others: the rehearsal process as a constant act of care 倾听他人:排练过程是一种持续的关怀
Pub Date : 2018-04-05 DOI: 10.14439/SJOP.2018.0501.06
Inês Bento-Coelho
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引用次数: 0
Book review: British theatre companies: From fringe to mainstream, edited by Graham Saunders and John Bull 书评:英国戏剧公司:从边缘到主流,格雷厄姆·桑德斯和约翰·布尔主编
Pub Date : 2017-09-17 DOI: 10.14439/SJOP.2017.0401.07
B. Watson
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引用次数: 0
Editorial: Beyond topography: space and time in the creative imagination 社论:超越地形:创造性想象中的空间和时间
Pub Date : 2017-09-17 DOI: 10.14439/SJOP.2017.0401.01
Kirsty Kay, B. Redman
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引用次数: 0
Identifying canons in competitive light music for the Great Highland Bagpipe, 1947–2015 1947年至2015年,为大高地风笛确定竞争性轻音乐的经典
Pub Date : 2017-09-17 DOI: 10.14439/SJOP.2017.0401.05
A. Bova
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引用次数: 0
Practitioner report: Play between worlds: Inchcolm Project 从业者报告:世界之间的游戏:Inchcolm项目
Pub Date : 2017-09-17 DOI: 10.14439/sjop.2017.0401.02
Mona Bozdog, D. Galloway
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引用次数: 0
期刊
The Scottish Journal of Performance
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