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Fyre Fraud (Jenner Furst & Julia Willoughby Nason, dirs.) & Fyre: The Greatest Party That Never Happened (Chris Smith, dir.) 《火焰骗局》(詹纳·弗斯特和朱莉娅·威洛比·纳森导演)和《火焰:从未发生过的最伟大的派对》(克里斯·史密斯导演)
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.10
T. Symmes
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引用次数: 1
Executive Editorial: Ten Years of Dancecult 执行社论:十年的舞蹈崇拜
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.00
G. John
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引用次数: 0
Introduction to Ageing with EDMC EDMC老化导论
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.01
D. Madden
David Madden is an Assistant Professor of Screen Arts at Pepperdine University. His research considers the cultural politics of electronic music from the intersections of history, technology, ageing and gender. Currently he is writing a historical book on electronic music (McGill-Queen’s University Press, forthcoming) and undertaking a micro historiography of the performers of the Ondes Martenot. He is also a musician, community arts organizer and artist, whose work crosses screens, dancefloors and media. on both individual and collective consciences, shaping our responses to ageing populations and the scripts that circumscribe our behaviour.
大卫·马登是佩珀代因大学影视艺术助理教授。他的研究从历史、技术、老龄化和性别的交叉点考虑电子音乐的文化政治。目前,他正在撰写一本关于电子音乐的历史书籍(麦吉尔-皇后大学出版社,即将出版),并对《马尔特诺舞曲》的表演者进行微观史学研究。他也是一名音乐家、社区艺术组织者和艺术家,他的作品横跨屏幕、舞池和媒体。在个人和集体的良知上,塑造我们对人口老龄化的反应,以及限制我们行为的脚本。
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引用次数: 0
Travellers and Sound System Protest: Matthew Smith’s Visual Commentary 旅行者和音响系统的抗议:马修·史密斯的视觉评论
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.13
Dave Payling
An exposition of the visual commentary of Matthew Smith. It contextualises his work and present a series of his images from protest events involving sound systems.
对马修·史密斯的视觉解说的阐述。它将他的作品置于背景中,并展示了他在涉及音响系统的抗议活动中拍摄的一系列图像。
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引用次数: 0
Being and Performing "Older" Woman in Electronic Dance Movement Culture 电子舞曲运动文化中“年长”女性的存在与表演
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.02
A. O’Grady, A. Madill
This article foregrounds the accounts of a cohort of clubbers who are largely ignored both by journalists and scholars alike. Grounded in the accounts of aging female clubbers and their participation in electronic dance music culture, it investigates the lived experience of being and performing the category of ‘older woman’ in this context. It examines the materiality of their participation and their tactical responses to being in an environment that has been associated traditionally with youth. In a landscape where scholarship on female participation in club cultures is, at best, scarce, research into the experiences of older women in dance music culture is virtually non-existent. As such this article represents a first step in addressing a significant gap in understanding women’s engagement with dance cultures as they mature.
这篇文章着重介绍了一群俱乐部成员的故事,他们在很大程度上被记者和学者所忽视。它以老年女性俱乐部成员和她们对电子舞曲文化的参与为基础,调查了在这种背景下作为和表演“老年女性”的生活经历。它考察了他们参与的重要性,以及他们在传统上与青年有关的环境中的战术反应。在女性参与俱乐部文化的学术研究最多是稀缺的情况下,对老年女性在舞蹈音乐文化中的经历的研究实际上是不存在的。因此,这篇文章代表了解决理解女性在成熟过程中与舞蹈文化接触的重大差距的第一步。
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引用次数: 2
A Danceable Shower of Bullets: Sound Morphologies, Concrescence and Neurosis in the Genesis of an EDM Beat 一场可跳舞的子弹雨:EDM节拍起源中的声音形态、凝聚和神经症
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.05
Carlos Palombini
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引用次数: 0
Boom Bap, Trap and Ageing in Belo Horizonte’s Rap Music Scene 在贝洛奥里藏特的说唱音乐场景中的Boom Bap, Trap和老化
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.11
Michel Antônio Brasil Teixeira
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引用次数: 1
Raving Iran (Susanne Regina Meures, dir.)
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.06
G. Breyley
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引用次数: 0
Have Things Really Changed, or Is It Just Me? Ageing and Dance Music Culture 事情真的变了吗,还是只有我变了?老龄化与舞曲文化
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.15
D. Bentley
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引用次数: 0
Death of/in British Drum ‘n’ Bass Music 英国鼓与贝斯音乐之死
Q2 Arts and Humanities Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.14
A. Fraser
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引用次数: 0
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Dancecult
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