Pub Date : 2023-06-01DOI: 10.1017/s1054204323000060
Lily Kelting
Monster Truck’s performances reproduce power dynamics that are at once painful and hurtful. By staging the representational process of dehumanizing black bodies, Monster Truck applies a different strategy than other Freie Szene groups: shining a bright light on dark discourse, selling the audience’s own willing consumption of neocolonial power relationships back to them as art.
{"title":"Sorry Not Sorry","authors":"Lily Kelting","doi":"10.1017/s1054204323000060","DOIUrl":"https://doi.org/10.1017/s1054204323000060","url":null,"abstract":"Monster Truck’s performances reproduce power dynamics that are at once painful and hurtful. By staging the representational process of dehumanizing black bodies, Monster Truck applies a different strategy than other Freie Szene groups: shining a bright light on dark discourse, selling the audience’s own willing consumption of neocolonial power relationships back to them as art.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"65 - 84"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49189849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/S1054204323000059
Andrew Friedman
The controversial performances of Jonathan Meese and the duo Vegard Vinge and Ida Müller uncouple the presumed alliance between fascist politics and aesthetics. Provocatively repurposing fascist iconography and thought, Meese and Vinge/Müller defend art’s autonomy against the contamination of reality and reimagine how contemporary artists grapple with Germany’s past.
{"title":"Fascism, Reality, Shit, and the German Stage","authors":"Andrew Friedman","doi":"10.1017/S1054204323000059","DOIUrl":"https://doi.org/10.1017/S1054204323000059","url":null,"abstract":"The controversial performances of Jonathan Meese and the duo Vegard Vinge and Ida Müller uncouple the presumed alliance between fascist politics and aesthetics. Provocatively repurposing fascist iconography and thought, Meese and Vinge/Müller defend art’s autonomy against the contamination of reality and reimagine how contemporary artists grapple with Germany’s past.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"48 - 64"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47352424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/s1054204323000126
Yelena Gluzman
Three recent anthologies in science and technology studies show how standards for scholarly professionalization are changing. Such changes may facilitate new alliances for theatre faculty plagued by old feuds and the increasingly neoliberal university.
{"title":"Embodied and Immersed Is the New Professional - Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences. Edited by Sven Dupré, Anna Harris, Julia Kursell, Patricia Lulof, and Maartje Stols-Witlox. Amsterdam: Amsterdam University Press, 2020; 298 pp. €124.00 cloth, e-book available. - Experimenting with Ethnography: A Companion to Analysis. Edited by Andrea Ballestero and Brit Ross Winthereik. Durham, NC: Duke University Press, 2021; 301 pp. $104.95 cloth, $27.95 paper…","authors":"Yelena Gluzman","doi":"10.1017/s1054204323000126","DOIUrl":"https://doi.org/10.1017/s1054204323000126","url":null,"abstract":"Three recent anthologies in science and technology studies show how standards for scholarly professionalization are changing. Such changes may facilitate new alliances for theatre faculty plagued by old feuds and the increasingly neoliberal university.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135673819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/S1054204323000072
Priscilla Layne
A recent trend in Black German theatre engages with fantasy and posthumanism to criticize German racism and nationalism. In Krieg der Hörnchen (War of the Squirrels), Simone Dede Ayivi combines posthumanism and postnationalism, using German fears of invasive gray squirrels taking over the habitat of native red squirrels to reimagine xenophobic and racist debates about migration.
德国黑人戏剧最近的一种趋势是用幻想和后人道主义来批评德国的种族主义和民族主义。在《松鼠之战》（Krieg der Hörnchen）中，西蒙·德德·艾维（Simone Dede Ayivi）结合了后人道主义和后民族主义，利用德国人对入侵灰松鼠占领本地红松鼠栖息地的恐惧，重新想象了关于移民的仇外和种族主义辩论。
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Pub Date : 2023-06-01DOI: 10.1017/s1054204323000023
Matt Cornish, D. Savran
{"title":"Introduction","authors":"Matt Cornish, D. Savran","doi":"10.1017/s1054204323000023","DOIUrl":"https://doi.org/10.1017/s1054204323000023","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"6 - 13"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48228103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/S1054204323000084
David Roesner
Theatre music has been a key driver of theatrical invention, innovation, and style since 2010 in German theatre and arguably for some years before that. This is evidenced in creative partnerships between individual directors and composers (and sometimes bands), in a strong presence of music in the rehearsal rooms, in musical forms of postdramatic writing, and in forms of acting styles and performance aesthetics where music plays a formative role.
{"title":"From the Spirit of Music","authors":"David Roesner","doi":"10.1017/S1054204323000084","DOIUrl":"https://doi.org/10.1017/S1054204323000084","url":null,"abstract":"Theatre music has been a key driver of theatrical invention, innovation, and style since 2010 in German theatre and arguably for some years before that. This is evidenced in creative partnerships between individual directors and composers (and sometimes bands), in a strong presence of music in the rehearsal rooms, in musical forms of postdramatic writing, and in forms of acting styles and performance aesthetics where music plays a formative role.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"105 - 123"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43376466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-29DOI: 10.1017/S1054204323000163
Yassaman Khajehi, Mohammad Amin Zamani, R. Schechner
With the Iranian protest movement “Woman, Life, Freedom,” public spaces have become scenes of collective performance. As women openly defy the authoritarian and religious powers, theatre artists are faced with a question: What role can we imagine for theatre when citizens themselves perform their struggle to reclaim the public space and sphere of power?
{"title":"Fragments of a Revolution","authors":"Yassaman Khajehi, Mohammad Amin Zamani, R. Schechner","doi":"10.1017/S1054204323000163","DOIUrl":"https://doi.org/10.1017/S1054204323000163","url":null,"abstract":"With the Iranian protest movement “Woman, Life, Freedom,” public spaces have become scenes of collective performance. As women openly defy the authoritarian and religious powers, theatre artists are faced with a question: What role can we imagine for theatre when citizens themselves perform their struggle to reclaim the public space and sphere of power?","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"81 - 89"},"PeriodicalIF":0.3,"publicationDate":"2023-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46232247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1017/s1054204322000843
S. Ray
Among the species that went extinct in the last 500 plus years under colonial regimes, the ill-fated dodo became an early icon of the Anthropocene Extinction. While much has been written on the biotechnological apparatuses that expedited the extinction of the dodo, it was the complicity of Western European imperialism and early modern aesthetic regimes that were responsible for the ecocide of the Anthropocene (read Eurocene) Extinction.
{"title":"“Dead as a Dodo”","authors":"S. Ray","doi":"10.1017/s1054204322000843","DOIUrl":"https://doi.org/10.1017/s1054204322000843","url":null,"abstract":"Among the species that went extinct in the last 500 plus years under colonial regimes, the ill-fated dodo became an early icon of the Anthropocene Extinction. While much has been written on the biotechnological apparatuses that expedited the extinction of the dodo, it was the complicity of Western European imperialism and early modern aesthetic regimes that were responsible for the ecocide of the Anthropocene (read Eurocene) Extinction.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"126 - 135"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46591910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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