关于反身法的说明:过去、现在和将来

W. Luttrell
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引用次数: 0

摘要

这个小插曲是对作者长期研究过程的评价。它解释了所做的选择,提供了行动中的反身性的写照。随着作者与年轻人关系的延长,以及世界的变化(包括新技术),作者发现,旧的视觉分析方法已经不足以完成这项任务。作者反思了跨越新的理论,方法和伦理领域,走出她的舒适区作为一个研究人员,并强调了创造性合作的价值,导致了这本书的数字插曲。这些视频故意模糊了研究与艺术之间的界限;分析与唤起;看和感觉;看到和知道。作者将她的研究风格描述为所谓的慢社会学,强调时间的价值,并对需要照顾和修复的生活中断持开放态度,以及将连接的乐趣视为生活和智力劳动中“最重要的”。
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Notes on reflexive methods: past, present, and future
This postlude evaluates the author's research process over time. It accounts for the choices made, offering a portrayal of reflexivity in action. As the author's relationships with the young people stretched out in time, and the world changed (including new technologies), the author found that older ways of doing visual analysis were no longer sufficient for the task. The author reflects on crossing into new theoretical, methodological, and ethical territory, stepping outside her comfort zone as a researcher, and highlights the value of creative collaboration that resulted in the digital interludes that accompany this book. These videos intentionally blur borders between research and art; analysis and evocation; looking and feeling; seeing and knowing. Characterizing her style of research in terms of what has become known as slow sociology, the author stresses the value of time and being open to life's disruptions that require care and repair as well as the joys of connectedness as “what matters most” in life and intellectual labor.
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Notes on reflexive methods: past, present, and future Back Matter List of figures and tables Ways of seeing diverse working-class children and childhoods Acknowledgments
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