超越修辞(第二部分):讽刺诗4-6中的朱维纳尔和罗马精英

P. Tennant
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引用次数: 5

摘要

富人的罪责是乌姆布里西乌斯在前三部讽刺作品中抱怨的一个突出特征,而在第四部讽刺作品中,这是一个更加集中和深入的攻击的主题,在那里,庇护制度的腐败和上层阶级的颓废被证明弥漫在罗马社会的顶层。要证明这些信念的真实性,还有什么比从一开始就把重点放在卑鄙的克里斯皮努斯身上更好呢?他在政府最高层施加了影响。这段话是关于尼尼雅的……verna Canopi(1.26)有勇气以炫耀的方式穿着罗马贵族的服装,这是Juvenal最初选择体裁的理由:difficile est saturam non scribere(1.30)。想想看,罗马社会上层阶级的风俗习惯,竟然堕落到如此低级的地步,竟与这个妖艳的、好色的、引诱维斯塔贞女的病态的上层人物保持亲密关系(4.2-3节),他的巨额财富使他能够在城市最昂贵的地区拥有巨额财产。同样应该受到谴责的是他极度奢侈的“罪恶”,他在一条鲻鱼鱼身上挥霍了6000英镑
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Beyond the Rhetoric (Part 2): Juvenal and the Roman Elite in Satires 4-6
While the culpability of the rich élite is a prominent feature of Umbricius’ catalogue of complaints in the first three Satires, it is the subject of a far more focused and penetrating attack in the fourth Satire, where the corruption of the system of patronage and the decadence of the upper classes are shown to pervade the top echelon of Roman society. And how better to demonstrate the truth of these convictions than by focusing, at the outset, on the despicable Crispinus, who wielded influence at the highest level of government? This pars Niliacae plebis, ... verna Canopi (1.26), who had the nerve to wear the apparel of the Roman nobility in ostentatious fashion, was the reason par excellence for Juvenal’s initial justification of his choice of genre: difficile est saturam non scribere (1.30). What a comment on the mores of the upper echelons of Roman society, to think that they stooped so low as to be on intimate terms with this monstrum nulla virtute redemptum / a vitiis (4.2–3)—a sickly fop, lecher and seducer of Vestal Virgins, whose inordinate wealth enabled him to own huge properties in the most expensive region of the city. Equally reprehensible was his “sin” of gross extravagance, when he lavished 6,000 sesterces on a single mullet—
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