{"title":"摄影是身体的延伸","authors":"Zbigniew Tomaszczuk","doi":"10.5604/01.3001.0012.9927","DOIUrl":null,"url":null,"abstract":"The text concerns the performativeness of the process of making photographs. It discusses examples of experiencing photography through such medium as the photographer’s body. The relations between the photographer and the technological changes of photography have been analysed. The main subject is the process of making photographs concluded with a reflection on the relation between the viewer and the large format photographic artwork.","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"PHOTOGRAPHY AS THE EXTENSION OF A BODY\",\"authors\":\"Zbigniew Tomaszczuk\",\"doi\":\"10.5604/01.3001.0012.9927\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The text concerns the performativeness of the process of making photographs. It discusses examples of experiencing photography through such medium as the photographer’s body. The relations between the photographer and the technological changes of photography have been analysed. The main subject is the process of making photographs concluded with a reflection on the relation between the viewer and the large format photographic artwork.\",\"PeriodicalId\":431350,\"journal\":{\"name\":\"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5604/01.3001.0012.9927\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0012.9927","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The text concerns the performativeness of the process of making photographs. It discusses examples of experiencing photography through such medium as the photographer’s body. The relations between the photographer and the technological changes of photography have been analysed. The main subject is the process of making photographs concluded with a reflection on the relation between the viewer and the large format photographic artwork.
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