追踪16世纪巴黎印刷商丢失的版本:让·邦方和他的遗孀凯瑟琳·瑟金特的案例

Renaud Adam
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摘要

摘要:本文考察了16世纪巴黎印刷家族Bonfons的遗失作品。这个家族主要从事中世纪白话文小说的研究,之所以被选中,是因为他们的出版物的存活率相对较低,而丢失的版本数量很高。这种研究超越了文献计量学的严格框架,提出了两个问题:参考书目是否真的反映了当时出版的东西?作为推论,存活率是否扭曲了我们对早期现代书籍生产的看法?先前对Bonfons作品的研究得到了一个从未在此背景下调查过的杰出来源的补充:安特卫普禁书索引委员会的档案(1570年印刷)。有鉴于此,为让·邦方及其遗孀印制或由其印制的书籍数量应修订为近200版,平均损失率约为40%。
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Tracing Lost Editions of Parisian Printers in the Sixteenth Century: The Case of Jean Bonfons and his Widow Catherine Sergent
Abstract:This article examines the lost production of a sixteenth-century Parisian family of printers, the Bonfons. This family, who specialized mainly in medieval vernacular romances, was chosen because the survival rate of their publications is relatively low and the number of lost editions high. Such study goes beyond the strict framework of bibliometry to raise two questions: do bibliographies really reflect what was published at that time? And, as a corollary, do survival rates distort our perception of early-modern book production? Previous research on the Bonfons's production is complemented by an outstanding source that has never been investigated in this context: the archives of the Commission of the Index of Prohibited Books of Antwerp (printed in 1570). In this light, the number of books printed for or by Jean Bonfons and his widow should be revised to almost 200 editions, with an average loss rate of around 40 per cent.
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