{"title":"费尔南多António诺盖拉·佩索阿歌词中的异名性特点","authors":"O. Ovcharenko","doi":"10.34216/1998-0817-2023-29-1-93-99","DOIUrl":null,"url":null,"abstract":"The author of the article focuses on the heteronymous lyrics of the great Portuguese poet F. Pessoa. The differences between the orthonymic and heteronymic lyrics of F. Pessoa are explained with the emergence of heteronymy in his poetry investigated. The author of the article reduces the heteronymy in the lyrics by F. Pessoa to the poems of Alberto Caeiro da Silva, Ricardo Reis and Álvaro de Campos and considers the main features of their lyrics. Along the way, the literary movements invented by F. Pessoa – paulism, intersectionism and sensationalism – are explored. It is concluded that heteronymy was the main means of artistic knowledge of the world in the works by F. Pessoa.","PeriodicalId":326235,"journal":{"name":"Vestnik of Kostroma State University","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Peculiarities of heteronymy in the lyrics by Fernando António Nogueira Pessoa\",\"authors\":\"O. Ovcharenko\",\"doi\":\"10.34216/1998-0817-2023-29-1-93-99\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The author of the article focuses on the heteronymous lyrics of the great Portuguese poet F. Pessoa. The differences between the orthonymic and heteronymic lyrics of F. Pessoa are explained with the emergence of heteronymy in his poetry investigated. The author of the article reduces the heteronymy in the lyrics by F. Pessoa to the poems of Alberto Caeiro da Silva, Ricardo Reis and Álvaro de Campos and considers the main features of their lyrics. Along the way, the literary movements invented by F. Pessoa – paulism, intersectionism and sensationalism – are explored. It is concluded that heteronymy was the main means of artistic knowledge of the world in the works by F. Pessoa.\",\"PeriodicalId\":326235,\"journal\":{\"name\":\"Vestnik of Kostroma State University\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik of Kostroma State University\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.34216/1998-0817-2023-29-1-93-99\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik of Kostroma State University","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34216/1998-0817-2023-29-1-93-99","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文的作者着重研究了葡萄牙伟大诗人佩索阿的异名歌词。本文通过对佩索阿诗歌中异名化现象的研究，分析了佩索阿诗歌中异名化现象的出现，并分析了其同名化歌词与异名化歌词的差异。本文作者将F. Pessoa歌词中的异名化现象归纳为Alberto Caeiro da Silva、Ricardo Reis和Álvaro de Campos的诗，并分析其歌词的主要特点。在此过程中，探讨了F.佩索阿发明的文学运动-保利主义，交叉主义和轰动主义。本文认为，异名性是佩索阿作品中对世界艺术认识的主要手段。
Peculiarities of heteronymy in the lyrics by Fernando António Nogueira Pessoa
The author of the article focuses on the heteronymous lyrics of the great Portuguese poet F. Pessoa. The differences between the orthonymic and heteronymic lyrics of F. Pessoa are explained with the emergence of heteronymy in his poetry investigated. The author of the article reduces the heteronymy in the lyrics by F. Pessoa to the poems of Alberto Caeiro da Silva, Ricardo Reis and Álvaro de Campos and considers the main features of their lyrics. Along the way, the literary movements invented by F. Pessoa – paulism, intersectionism and sensationalism – are explored. It is concluded that heteronymy was the main means of artistic knowledge of the world in the works by F. Pessoa.
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