跨媒体与叙事结构的模糊性

Ahmet Oktan
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引用次数: 0

摘要

本章主要讨论跨媒体应用对电影和电视剧叙事结构的影响。由于在不同的电影或系列中,故事作为跨媒体叙事的构建方法不同,因此研究中尽可能多地纳入作品,以做出更准确的判断。在这一背景下,我们研究了《星际迷航》、《教父》、《黑客帝国》、《星球大战》、《哈利波特》、《饥饿游戏》、《怪物史莱克》、《马达加斯加》、《迷失》、《权力的游戏》、《Medcezir》和《Vatanım Sensin》的叙事结构。在这些作品中,对构成故事宇宙的部分相对于主要叙事的状况、在不同媒介中与主要叙事相关的新叙事的构建要素、故事情节、人物、空间、氛围和声音等要素的虚构化、故事之间过渡的方法等进行了研究。
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Transmedia and the Vagueness of Narrative Structure
This chapter focuses on the types of transformations that transmedia applications cause on the narrative structure of motion pictures and television series. Since different methods are used to construct the story as a transmedia narrative in different films or series, as many works as possible are included in the study to make more accurate determinations. In this context, examples of Star Trek, The Godfather, The Matrix, Star Wars, Harry Potter, The Hunger Games, Shrek, Madagascar, Lost, Game of Thrones, Medcezir, and Vatanım Sensin have been examined in terms of their narrative structure. In these works, the condition of the parts constituting the story universe compared to the main narrative, the elements that enable the construction of new narratives related to the main narrative in different media, fictionalization of the elements such as story lines, characters, spaces, atmosphere, and sound, the methods that are used for the transition among stories, etc. have been examined.
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