非洲人与社会文化信仰的力量:打破还是维持现状?浅析埃米·尤努贾·艾德古的《传奇性Inikpi》

Maina Ouarodima, Ibrahim Oumarou
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摘要

每个社会都有自己的规矩,非洲也不例外。更重要的是,非洲人强烈地依附于他们的社会文化信仰。然而,由于时间是动态的,有必要反思的情况下,评估我们的传统。因此,正在讨论的戏剧《传奇的伊尼kpi》不仅是读者了解非洲社会如何坚持其宗教信仰和习俗作为其文化身份的一部分的中心来源,而且也是呼吁非洲人改变态度的媒体工具。作者认为人的牺牲是谋杀。为了将人们的心态转向某些宗教习俗,比如活人祭祀,艾米·乌努贾创造了一个名为“女儿”的女性角色,她的角色是说服人们改变心态。如果我们希望非洲社会向前发展,现在正是人们改变心态的时候。
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Africans and the Power of Socio-Cultural Belief: To Break or to Keep the Status Quo? Analysis of Emmy Unuja Idegu’s the Legendary Inikpi
Every single society has its dos and don’ts, and African is not an exception. What is more, Africans are strongly attached to their socio-cultural beliefs. However, as time is dynamic, there is need toreflect on the context of situation to evaluate our tradition.Thus, The Legendary Inikpi, the play under discussion, does not only serve as a central source to enable the readers find outhow African societies hold on to their religious beliefs and practices as part of their cultural identities, but also serves as a media tool that calls Africans for a change of attitude. The author considershuman sacrifice as a murder.To redirect the mentality towards certain religious practices such as human sacrifice, Emmy Unuja is able to create a female character named Daughter whose role is to convince people for a change of mentality. If we want African societies to move forwards, it is high time people change their mentality for the better.
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