诗歌矩阵:詹姆斯·斯凯勒的日记

Mikołaj Wiśniewski
{"title":"诗歌矩阵:詹姆斯·斯凯勒的日记","authors":"Mikołaj Wiśniewski","doi":"10.7311/pjas.11/2/2017.03","DOIUrl":null,"url":null,"abstract":"In his essay Mikołaj Wiśniewski presents an unpublished 1962 diary entry and two chapters from an unfinished novel found by the author when conducting research in the James Schuyler archive of the Mandeville Special Collections Library at UCSD. Wiśniewski goes on to show how Schuyler experimented with the diary form long before he started keeping a diary in the late 1960s (the published Diary of James Schuyler starts with 1967) and how the practice always served him as a starting point or “training ground” for other projects, be it a novel or the late long poems of the 1970s and 1980s. The author also comments on Schuyler’s poetics of the quotidian and the boring, contrasting it with Frank O’Hara’s focus on moments of exceptional emotional and perceptual intensity.","PeriodicalId":384144,"journal":{"name":"Polish Journal for American Studies","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Matrix of Poetry: James Schuyler’s Diary\",\"authors\":\"Mikołaj Wiśniewski\",\"doi\":\"10.7311/pjas.11/2/2017.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In his essay Mikołaj Wiśniewski presents an unpublished 1962 diary entry and two chapters from an unfinished novel found by the author when conducting research in the James Schuyler archive of the Mandeville Special Collections Library at UCSD. Wiśniewski goes on to show how Schuyler experimented with the diary form long before he started keeping a diary in the late 1960s (the published Diary of James Schuyler starts with 1967) and how the practice always served him as a starting point or “training ground” for other projects, be it a novel or the late long poems of the 1970s and 1980s. The author also comments on Schuyler’s poetics of the quotidian and the boring, contrasting it with Frank O’Hara’s focus on moments of exceptional emotional and perceptual intensity.\",\"PeriodicalId\":384144,\"journal\":{\"name\":\"Polish Journal for American Studies\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Polish Journal for American Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7311/pjas.11/2/2017.03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Polish Journal for American Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7311/pjas.11/2/2017.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

在他的文章Mikołaj Wiśniewski中,作者在加州大学圣地亚哥分校曼德维尔特别收藏图书馆的詹姆斯·斯凯勒档案中进行研究时,发现了一篇未发表的1962年日记和一本未完成小说中的两章。Wiśniewski继续展示了斯凯勒早在20世纪60年代末开始写日记之前就开始尝试日记的形式(詹姆斯·斯凯勒的日记出版于1967年),以及这种实践如何始终作为他其他项目的起点或“训练场”,无论是小说还是20世纪70年代和80年代的晚期长诗。作者还评论了斯凯勒对日常和无聊的诗学,并将其与弗兰克·奥哈拉(Frank O 'Hara)对特殊情感和感性强度的关注时刻进行了对比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The Matrix of Poetry: James Schuyler’s Diary
In his essay Mikołaj Wiśniewski presents an unpublished 1962 diary entry and two chapters from an unfinished novel found by the author when conducting research in the James Schuyler archive of the Mandeville Special Collections Library at UCSD. Wiśniewski goes on to show how Schuyler experimented with the diary form long before he started keeping a diary in the late 1960s (the published Diary of James Schuyler starts with 1967) and how the practice always served him as a starting point or “training ground” for other projects, be it a novel or the late long poems of the 1970s and 1980s. The author also comments on Schuyler’s poetics of the quotidian and the boring, contrasting it with Frank O’Hara’s focus on moments of exceptional emotional and perceptual intensity.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
The Representations of Drag Queen Characters in Pre-Stonewall Literature: John Rechy’s City of Night and Hubert Selby Jr.’s Last Exit to Brooklyn Possessed by Poe: Hart Crane’s Tribute to il Miglior Fabbro in a Symbolist-Modernist Context “All of the Bees in a Hive Are Having Imagination”: An Interview with Brenda Hillman The Americanization of the Sublime: Washington Allston and Thomas Cole as Theorists of Art She Did Know a Few Things: Georgia O’Keefe as an Intellectual
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1