电影作为《机器人总动员》中环境、结构主义社会批判的媒介

Shochifah Diyah Puspitasari
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摘要

如今,人与自然的和谐一直是人们讨论不休的问题。人类的生存和发展伴随着他们所经历的非常迅速的进步,常常给自然的平衡带来负面的影响。然后,这一事实引发了许多焦虑,这些焦虑被批评者或抗议者意识到了。然后通过电影将这些批评家中的一个形象化,这更容易被社会所接受,也更容易被每个社会阶层所理解。《机器人总动员》是代表这种观点的电影之一。作者运用结构主义的定性研究方法,试图了解这些批评和信息是如何建设性地传递给世界社会的。这一研究的结果可以得出结论,Wall-E,一部由迪士尼与皮克斯合作制作,由安德鲁·斯坦顿执导的电影,建设性地试图传达批评和信息,从各个年龄段教育社会。希望人们能更明智地以节约的精神在世界上生活。
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Film As The Media Of Social Critics About Environment, Structuralism In Film Wall-E
  Nowadays, the harmonization between man and nature is always being issues that never stop to be discussed. The human existence and development with the very rapid progress that they have experienced, oftentimes bringing the negative effects to the balance of nature. Then, this fact raises many anxieties that are realized by critics or protests. One of those critics are then visualized trough film which is more acceptable and easier to be understood by society from each social class. Wall-E is one of the movie titles that become a representation of that opinion. Using qualitative research with the structuralism approach, the author tries to find out about how the critics and messages delivered constructively to the world society. The result of this research can be concluded that Wall-E, a film that produced by Disney cooperate with Pixar and directed by Andrew Stanton, constructively tries to deliver the critics and messages to educate the society from all ages. Hopefully, peoples can be wiser in carrying out life in the world with the spirit of conservation.
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