连接声音合成作为计算机辅助作曲的技术模型

Júlio Guatimosim, J. Padovani, Carlos Guatimosim
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摘要

本文介绍了一种基于串联声音合成(CSS)的打击乐器计算机辅助作曲方法。在介绍之后,我们将讨论“技术形态”的概念以及电声技术在器乐创作中的影响。第三部分介绍了器乐声音合成的过程及其在计算机辅助作曲(CAC)和计算机辅助编曲(CAMO)背景下的发展。然后,我们描述了连接声音合成(CSS)的一般原理。第五部分介绍了我们对CSS的改编,将其作为计算机辅助作曲/编曲的技术模型,使用打击声音/乐器的语料库。在最后一节,我们将讨论未来的发展以及我们的实施和战略的主要特点。
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Concatenative Sound Synthesis as a Technomorphic Model in Computer-Aided Composition
The text presents a process aimed at computer-aided composition for percussion instruments based on Concatenative Sound Synthesis (CSS). After the introduction, we address the concept of ”technomorphism” and the influence of electroacoustic techniques in instrumental composition. The third section covers processes of instrumental sound synthesis and its development in the context of Computer-Aided Composition (CAC) and Computer-Aided Music Orchestration (CAMO). Then, we describe the general principles of Concatenative Sound Synthesis (CSS). The fifth section covers our adaptation of CSS as a technomorphic model for Computer-Aided Composition/Orchestration, employing a corpus of percussion sounds/instruments. In the final section, we discuss future developments and the mains characteristics of our implementation and strategy.
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