万隆山上声景与建筑元素的动态联系

Livie Tamariska ; Roni Sugiarto
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摘要

摘要:在公共空间建筑中,场所体验对公共空间品质的塑造起着重要的作用。空间的体验是多感官的,所以建筑也要强调通过听觉体验的建筑空间方式。该研究旨在确定声景体验与阶地奇卡朋洞建筑的动态联系。研究方法为定性分析和描述性分析。定量测量是为了补充定性数据。通过问卷调查、实地观察、分析,并结合公共空间建筑、声景、圣声、场所感、建筑意图、感知理论等理论研究进行分析。在Terrace Cikapundung中发现了相当多的自然声音,这些声音被认为是提高人们空间体验质量的声音。在那里发现的自然声音有鸟鸣、风声和水流的声音。而主要的声音是机动车的声音,特别是在“人造区域”(高速公路边界区域),这种声音被认为是干扰听众的声音。这表明,有一些建筑元素未能达到最佳效果,特别是场地与主要声源(Jalan Siliwangi)之间的边界元素的设计。在此基础上,根据建筑要素的功能、位置和顺序的多样性特征,设计出凹形的物理拓扑结构和“人造区”与“自然区”的分区,为我们提供空间制作的研究和范例,为我们提供良好的场所体验。通过关注体验的多感官方面,特别是听觉体验的设计,可以彻底感受空间的体验,提高公共空间的质量。关键词:声景观,建筑元素,开放公共空间
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THE DYNAMICS OF SOUNDSCAPE CONNECTION WITH ARCHITECTURAL ELEMENTS ON TERAS CIKAPUNDUNG BANDUNG
Abstract- In architecture of public space, the experience of place plays an important role in the making of the good quality of public spaces. The experience of the space is multi-sensory, so architecture should emphasize its attention also on the architectural space approach through auditory experience. The study was conducted to determine the dynamics connection of soundscape experience and Terrace Cikapundung architecture.The research method is qualitative and descriptive analysis. Quantitative measurements are made to complement the qualitative data. The analysis is done through questionnaire distribution, field observation, analysis, and by relating it with the study of theories about public space architecture, soundscape, sacred sounds, sense of place, intention of architecture, and perception theory.In Terrace Cikapundung are found quite a lot of natural sounds, which are considered as sounds that improve the quality of the people spatial experience. The natural sounds that are found there are the sound of birds, wind, and water flow. While the dominant voice heard is the sound of motor vehicle, which is considered as disturbing sound for the audiences in particular “man-made zone” (zone that borders the highway). This indicates that there are some architectural elements that have not been able to work optimally, especially the design of bordering element between the site with the main sound source (Jalan Siliwangi). Furthermore, the concave physical topology and the zonation of “man-made zone” and “natural zone” is well designed, based on the variety characterictic of function, location, and order of architectural elements, that will give us the study and example of spatial making and good experience of place.              Through design that concern in the multi-sensory aspects of experience, especially in auditory experience, the experience of space can be felt thoroughly and the quality of a public space can be increased. Key Words: soundscape, architectural element, open public space
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