未经允许在社交媒体上发布的电影的版权保护

Nurkhaliq Khussamad Noor
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引用次数: 3

摘要

2014年关于著作权的第28号法律规定,创作者对其创作享有经济权利,其中第9条规定,创作者有权禁止其他人未经许可以任何形式将其作品复制为商业用途。本研究旨在确定通过Instagram Stories应用程序发布电影场景片段的行为是否属于侵犯电影版权的行为,并了解未经许可通过社交媒体发布的宽屏电影的版权法律保护形式。本研究采用实证研究。研究地点是南苏拉威西法律和人权部区域办事处和望加锡市第21电影院。研究结果表明,通过Instagram Stories上传的影院录制电影,如果上传者在展示的视频中否认身份,就归属权而言,可以归类为侵犯创作者的精神权利。然而,在经济权利方面,没有发现侵犯版权,这是因为录音演员使用的动机不满足寻求商业利益的要素。2014年第28号版权法第9条第(1)款b项和第(2)项规定了通过Instagram故事上传的影院录音的法律保护。电影院对进行录音行为的观众采取的法律行动,以谴责的形式,直到没收观众的手机并发出声明信。但到目前为止,南苏拉威西法律和人权部区域办事处还没有收到任何案件。
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PERLINDUNGAN HUKUM HAK CIPTA ATAS FILM LAYAR LEBAR YANG DIPUBLIKASI MELALUI MEDIA SOSIAL TANPA IZIN
In Law Number 28 of 2014 concerning Copyright it is regulated that the creator has the right to economic rights to his creation, where in Article 9 the creator has the right to prohibit other people from doubling the work in all its forms without permission for commercial use. This study aims to determine whether the act of publishing pieces of cinema scenes through the Instagram Stories application is categorized as copyright infringement on the film as well as knowing the form of Copyright legal protection for Widescreen Films published through social media without permission. This study uses empirical research. The location of the study was conducted at the Regional Office of the Ministry of Law and Human Rights of South Sulawesi and Cinema XXI of Makassar City. The results of the study indicate that recording movies in theaters uploaded through Instagram Stories can be categorized as violating the moral rights of the creator in terms of attribution rights if the uploader negates the identity in the video displayed. However, in terms of economic rights, copyright infringement is not found, this is because the motives used by the recording actors do not fulfill the element of seeking commercial profit. Legal protection regarding recording in theaters uploaded through Instagram Stories is regulated in Law Number 28 of 2014 concerning Copyright in Article 9 paragraph (1) letter b and in paragraph (2). Legal actions given by the cinema to the audience who perform the recording action, in the form of reprimand until the confiscation of the cellphone belonging to the audience and the making of a statement letter. But until now there have been no cases that have reached the Regional Office of the Ministry of Law and Human Rights of South Sulawesi.
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