{"title":"不太好莱坞","authors":"C. Waddell","doi":"10.3366/edinburgh/9781474409254.003.0002","DOIUrl":null,"url":null,"abstract":"How to define an exploitation film – and what separates the exploitation cinema produced in America during the timeline of this book from that of the B-movie. The chapter also explores the aesthetic and thematic approaches of exploitation cinema in the post-classical era. The chapter concludes upon what makes American exploitation cinema unique.","PeriodicalId":325933,"journal":{"name":"The Style of Sleaze","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Not Quite Hollywood\",\"authors\":\"C. Waddell\",\"doi\":\"10.3366/edinburgh/9781474409254.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How to define an exploitation film – and what separates the exploitation cinema produced in America during the timeline of this book from that of the B-movie. The chapter also explores the aesthetic and thematic approaches of exploitation cinema in the post-classical era. The chapter concludes upon what makes American exploitation cinema unique.\",\"PeriodicalId\":325933,\"journal\":{\"name\":\"The Style of Sleaze\",\"volume\":\"38 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Style of Sleaze\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474409254.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Style of Sleaze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474409254.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
How to define an exploitation film – and what separates the exploitation cinema produced in America during the timeline of this book from that of the B-movie. The chapter also explores the aesthetic and thematic approaches of exploitation cinema in the post-classical era. The chapter concludes upon what makes American exploitation cinema unique.
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