高更绘画背后的神秘主义分析

Xiaonan Zhang, Bingying Wang
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摘要

保罗·高更通常被认为是后印象派绘画的代表画家,但实际上,高更也是九世纪受象征主义影响的十大艺术家之一,也被认为是象征主义的领袖。印象派和新印象派画家力求客观地再现自然事物,而高更受象征主义思潮的影响,希望超越表面的真实,追求表面之下的情感真实。对他的分析主要集中在他的象征主义上,但保罗·高更一生都在追求神秘的艺术,也反映了艺术国度神秘的一面。他的画充满了一种不可言喻的精神。本文以高更的神秘主义在其绘画中的表现为基础,主要分析其绘画的主题,其特色构图和色彩分析,以及他对神秘主义绘画的研究,最后分析高更绘画的神秘主义色彩以及其绘画背后神秘色彩的深刻含义。
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An Analysis of the Mysticism Behind Gauguin’s Paintings
Paul Gauguin is often regarded as the representative painter of post-impressionist paintings, but in fact Gauguin was also one of the top ten artists under the influence of symbolism in the ninth century and was also regarded as the leader of symbolism. Impressionist and neo-impressionist painters tried their best to reproduce the natural things objectively, while Gauguin, influenced by the ideological trend of symbolism, wished to transcend the superficial truth and pursue the emotional truth under the surface. The analysis of him mainly focuses on his symbolism, but Paul Gauguin pursues mysterious art all his life and also reflects the mysterious side of the art country. His paintings are filled with an ineffable spirit. Based on the expression of Gauguin's mysticism in his paintings, this paper mainly analyzes the theme of his paintings, its characteristic composition and color analysis, as well as his research on mysticism painting, and finally analyzes the mysticism color of Gauguin's paintings and the profound meaning of the mysterious color behind his paintings.
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