朝鲜战争时期现实主义电影研究:聚焦与

Jun-Yeob Lee
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摘要

(1952)和(1952)被认为是朝鲜战争期间制作的具有代表性的现实主义电影。就像意大利的新现实主义电影在第二次世界大战中出现一样,20世纪50年代的韩国现实主义电影也随着6•25战争而出现。(1952年)和(1952年)描写了韩国社会的日常生活,当时的评论家称这些电影是“(新)现实主义”的作品。在叙事上,类似于日本殖民时期的现实主义电影(1940年)和(1941年)。因为在6•25战争爆发之前就进行了拍摄,所以有些部分与当时的现实不符。但是导演申相玉回忆说,他借用了新现实主义的风格,描绘了各种各样的底层人物。因此,大多数评论评价为典范(新)现实主义作品。评论家们注意到,尽管战争造成了困难的局面,意大利电影业仍获得了世界声誉。因此,他们希望年轻的韩国导演能够开创新现实主义等新潮流。
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A Study on Realism Films Produced During the Korean War: Focusing on and
(1952) and (1952) have been regarded as representative realism films produced during the Korean War. Just as Italian Neorealism came about World War II, Korean realism films in the 1950s also appeared with the Korean War. (1952) and (1952) depicted the everyday scenery of Korean society, And critics at the time called these films a work of (Neo)realism. In terms of narrative, is similar to the realism films produced in Japanese colonial era, (1940) and (1941). Since the filming of was conducted even before the outbreak of the Korean War, there were parts that did not fit the reality of the time. However, as director Shin Sang-ok recalls, borrowed Neorealistic styles and depicted various lower-class people. Therefore, most of the reviews evaluated as an exemplary (Neo)realism work. Critics took note of that the Italian film industry gained worldwide fame despite the difficult situation caused by the war. So they hoped that young Korean directors would create new trends such as Neorealism.
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