十九世纪末敖德萨的历史艺术时期的开端

O. Muzychko
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摘要

这篇文章的目的是为了涵盖敖德萨年鉴或文集出版初期的一个插曲,作者试图将艺术史和艺术理论的研究以及熟悉公共艺术的方法提高到一个新的专业水平。我们的研究对象是《来自艺术与科学的世界》合集。尽管作为期刊的项目总体上失败了,但《来自艺术和科学的世界》的两期合集应该被认为是现代化时代敖德萨文化发展的一个明亮现象。在这种情况下,现代化体现在A. O. Matveev希望在敖德萨奠定科学艺术史的基础,这是n.p. Kondakov在同一时期在这座城市最高的科学水平上所做的,并将其与艺术的普及和教学方法的任务相结合。无论是作为纯科学的,还是作为普及和教学的,这部没有充分定义的文集的特征,可能没有吸引敖德萨科学人道主义精英的代表,新罗西斯克大学的教授N. P. Kondakov,文学史家a . I. Kirpichnikov,拜占庭主义者F. I. Uspensky,他们的作品可以把它提升到一个更高的水平。这个收藏首先帮助敖德萨居民熟悉当时西欧艺术史思想的最新成就,因为A. A. Matveev在文本中大量引用了西欧科学家的作品,介绍了他们的思想。该收藏是了解敖德萨艺术史教学法发展的一个来源,因为其中一些文章是敖德萨绘画学校老师的讲座。精美出版的作品集是敖德萨印刷业发展的见证之一,是艺术作品高质量出版的经验。编辑的跨学科方法和整合艺术与科学(历史,艺术史,文学研究,音乐学)的各种相关分支的愿望并没有失去其相关性。
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THE BEGINNING OF HISTORICAL AND ARTISTIC PERIODIC IN ODESSA AT THE END OF THE XIX CENTURY
The purpose of this article is to cover one of the episodes in the initial stage of publishing Odessa almanacs or collections, the authors of which tried to raise to a new professional level the study of the history and theory of art and methods of familiarizing with public art. The object of our study is the collection “From the world of art and science”. Despite the general failure of the project as a periodical, two issues of the collection “From the world of art and science” should be considered a bright phenomenon of cultural development in Odessa during the era of modernization. In this case, the modernization was reflected in the desire of A. O. Matveev to lay the foundations of scientific art history in Odessa, which N. P. Kondakov did at the highest scientific level at the same time in this city, and combined it with the tasks of popularizing and teaching methods of art. The insufficiently defined collection’s character, either as a purely scientific, or as a popularizing and pedagogical one, probably did not attract representatives of the Scientific Humanitarian elite of Odessa, professors of Novorossiysk University – N. P. Kondakov, literary historian A. I. Kirpichnikov, byzantinist F. I. Uspensky, whose works could raise it to a higher level. The collection helped to familiarize first of all Odessa residents with the latest achievements of Art History thought in Western Europe at that time, because A. A. Matveev richly saturated the text with numerous references to the works of Western European scientists, the presentation of their thoughts. The collection is a source for learning about the development of art history pedagogy in Odessa, because some of its articles were lectures by teachers of the Odessa Drawing School. The elegantly published collection is one of the testimonies about the development of printing in Odessa, the experience of highquality publication of art works. The editor’s interdisciplinary approach and desire to integrate various but related branches of art and Science (History, Art History, Literary Studies, musicology) have not lost their relevance.
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