论谭敦“武侠电影三部曲”中“中西融合”的要素

Myung-Sin Choi
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摘要

谭盾是中国现代音乐的代表作曲家,他创作了《卧虎藏龙》、《英雄传》、《酒宴》等“武侠三部曲”,在中国电影音乐领域取得了最引人注目的成就。他以将中西音乐元素巧妙融合,积极赋予中国传统思想的特点而闻名。这些作品值得重视,因为它们可以探索通过中国文化与国际社会交流的策略。谭敦创作了三首电影音乐,在创作手法上表现出创作风格的一致性,但在具体的音乐编排上又因电影叙事的内容和形式而有所不同。因此,本研究以被称为“音乐电影三部曲”的《卧虎藏龙》、《英雄英雄》和《酒宴》的音乐主题设计为研究重点,首先对电影的叙事和音乐和声进行分析比较,然后探讨西方音乐是如何与中国传统音乐元素融合和体现的。
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A Study on the Elements of “Integration of China and the West” in Tandun's ‘Martial arts Movie Trilogy’
Tan Dun, a representative composer of modern Chinese music, has been producing the most notable achievements in the field of Chinese film music by working on “Three Trilogy of Martial Arts” such as “Crouching tiger Hidden Dragon”, “The Heroes” and “The Banquet”. He is famous for his characteristics of actively giving traditional Chinese ideas by exquisitely converging Chinese and Western music elements. These works need to be emphasized in that they can explore strategies to communicate with the international community through Chinese culture. Tandun, who composed three film music, represents consistency in creative style in terms of composition technique, while showing some difference in specific music arrangement depending on the content and form of the film narrative. Therefore, this research focuses on the music theme design of “Crouching tiger Hidden Dragon”, “The Heroes” and “The Banquet”, which are referred to as “Musical Movie Trilogy”, analyzes and compares the film's narrative and music harmony firstly, then discusses how Western music was fused and embodied with the elements of traditional Chinese music.
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