{"title":"Hendrabuana dan Seni Lukis Kaligrafinya (Kajian Biografi dan Estetika)","authors":"Hendi Linggarjati","doi":"10.24821/JOCIA.V1I1.1745","DOIUrl":null,"url":null,"abstract":"Hendra Buana and his calligraphy painting (biography studies and aesthetics). Arabic calligraphy of contemporary art in Indonesia was pioneered by A. D. Pirous, Amri Yahya, followed by below-generation artists such as Syaiful Adnan, Hendra Buana, and Yetmon Amier. Developments in Indonesian contemporary Arabic calligraphy began to look MTQ atmosphere since the holding of the event in the city of Semarang in 1979. This study examines the biography of Arabic calligraphy artist Hendra Buana and his art characteristics. Biography analyzed by using the theory of Vera L. Zolberg, while the characteristics of his works are analyzed through the theory of Edmund Burke Feldman. This qualitative research data obtained through observation, interviews, document study and literature review. This study concluded that in the process of art, especially in Arabic calligraphy is influenced by several factors, both from internal and external. The study also concluded that the visualization of Arabic calligraphy on a painting by Hendra Buana will be built to process the wealth of artistic and meaningful traditional Arabic calligraphy art in the visual language of contemporary art of Arabic calligraphy. This research can provide an idea of how an Arabic calligraphy artist could exists and productive in the world art scene in Indonesia. The results could be used as a reference for writing the biography of the artist and his art in the future.Keywords: Hendra Buana, painting, Arabic calligraphy, contemporary.","PeriodicalId":413801,"journal":{"name":"Journal of Contemporary Indonesian Art","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Indonesian Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24821/JOCIA.V1I1.1745","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
亨德拉·布阿纳和他的书法绘画(传记研究和美学)。印度尼西亚当代艺术的阿拉伯书法由A. D. Pirous, Amri Yahya开创,随后是Syaiful Adnan, Hendra Buana和Yetmon Amier等下一代艺术家。自1979年在三宝垄市举办该活动以来,印尼当代阿拉伯书法的发展开始呈现出MTQ的氛围。本文考察了阿拉伯书法艺术家亨德拉·布阿纳的生平及其艺术特征。通过佐尔伯格的理论分析其传记,通过费尔德曼的理论分析其作品的特点。本定性研究的数据通过观察、访谈、文献研究和文献综述获得。本研究认为,在艺术发展的过程中,尤其是阿拉伯书法的发展,受到多种因素的影响,既有内部因素,也有外部因素。该研究还得出结论,将在亨德拉·布阿纳(Hendra Buana)的一幅画上建立阿拉伯书法的可视化,以当代阿拉伯书法艺术的视觉语言处理丰富的艺术和有意义的传统阿拉伯书法艺术。这项研究可以提供一个想法,如何一个阿拉伯书法艺术家可以存在和生产在世界艺术界在印度尼西亚。研究结果可作为日后撰写艺术家传记及其艺术的参考。关键词:亨德拉·布阿纳,绘画,阿拉伯书法,当代。
Hendrabuana dan Seni Lukis Kaligrafinya (Kajian Biografi dan Estetika)
Hendra Buana and his calligraphy painting (biography studies and aesthetics). Arabic calligraphy of contemporary art in Indonesia was pioneered by A. D. Pirous, Amri Yahya, followed by below-generation artists such as Syaiful Adnan, Hendra Buana, and Yetmon Amier. Developments in Indonesian contemporary Arabic calligraphy began to look MTQ atmosphere since the holding of the event in the city of Semarang in 1979. This study examines the biography of Arabic calligraphy artist Hendra Buana and his art characteristics. Biography analyzed by using the theory of Vera L. Zolberg, while the characteristics of his works are analyzed through the theory of Edmund Burke Feldman. This qualitative research data obtained through observation, interviews, document study and literature review. This study concluded that in the process of art, especially in Arabic calligraphy is influenced by several factors, both from internal and external. The study also concluded that the visualization of Arabic calligraphy on a painting by Hendra Buana will be built to process the wealth of artistic and meaningful traditional Arabic calligraphy art in the visual language of contemporary art of Arabic calligraphy. This research can provide an idea of how an Arabic calligraphy artist could exists and productive in the world art scene in Indonesia. The results could be used as a reference for writing the biography of the artist and his art in the future.Keywords: Hendra Buana, painting, Arabic calligraphy, contemporary.