在萨克雷的《名利场》中,丽贝卡是一个社会罪犯

Niğmet Meti̇noğlu
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摘要

女主人公丽贝卡·克劳利(原名丽贝卡·夏普)是威廉·梅克皮斯·萨克雷在小说《名利场》(1848)中所塑造的女主人公之一。作为一个出身不利的不道德的女人,她渴望成为一个受人尊敬和有影响力的人。然而,在实现自己抱负的过程中,她对金钱的热爱和对更高社会地位的渴望使她犯下了无视儿子、欺骗丈夫、操纵他人等罪行。对贝基的看法不同。她是一个有罪的人,还是一个无辜的、富有同情心的人,在一个女人没有很多选择或可能性得到她想要的东西的社会里,她做了她必须做的事情来获得更高的地位和财富,这仍然是有争议的。如果她不这样做,她将无法生存下去,或者更糟的是,她将不得不做一些在19世纪上半叶摄政时期的社会条件下对女性来说很丢脸的工作。本研究旨在简要探讨《名利场》的标题和字幕,并将贝基视为一个出身卑微的人,通过采取任何不当行为来帮助自己爬上社会阶梯,这通常会使她成为社会罪犯,但这是有争议的,因为她被发现与当时的条件相关。
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REBECCA AS A SOCIAL CRIMINAL IN THACKERAY’S VANITY FAIR
The scheming and calculating anti-heroine, Rebecca Crawley, Rebecca Sharp with her former name, is one of the female protagonists portrayed by William Makepeace Thackeray in his novel, Vanity Fair (1848). As an amoral woman of disadvantageous origins, she has the desire to become a respectful and influential person. However, on the way to achieving her ambition, her love of money and desire for a higher social status lead her to commit several crimes such as disregarding her son, cheating on her husband, and manipulating people. The views about Becky differ. It is still disputed if she is a person of guilt or an innocent and sympathetic individual who does what she must to gain higher status and affluence in a society in which a woman does not have many choices or possibilities to have what she desires. If she does not act the way she does, she will not be able to get by, or worse, she will have to do jobs degrading for women under the social conditions of the first half of the nineteenth century during the Regency period. This study aims to briefly dwell on the titles and the subtitles of Vanity Fair and treat Becky as a person who comes from humble origins and struggles to climb the social ladder by resorting to any kind of misdeed to help her way up, which would normally make her a social criminal, yet it is disputed because she is found relatable due to the conditions of the time.
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