{"title":"对Dvāravatī艺术传统中垂腿佛像的再思考","authors":"Nicolas Revire","doi":"10.7152/BIPPA.V31I0.12053","DOIUrl":null,"url":null,"abstract":"The aim of this paper is to reassess some common ideas about a particular type of buddha image frequently found in central Thailand in ca. 7th- 8th centuries, the buddhas seated in the so-called “European fashion” or pendant-legged, often labelled pralambapādāsana in Sanskrit. While briefly dealing with iconographic questions, including the origins and meanings of this particular posture, the paper will also discuss the matter of terminology in relation to the royal symbolism conveyed by this iconography.","PeriodicalId":158063,"journal":{"name":"Bulletin of the Indo-Pacific Prehistory Association","volume":"706 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2012-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"8","resultStr":"{\"title\":\"Some Reconsiderations on Pendant-Legged Buddha Images in the Dvāravatī Artistic Tradition\",\"authors\":\"Nicolas Revire\",\"doi\":\"10.7152/BIPPA.V31I0.12053\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of this paper is to reassess some common ideas about a particular type of buddha image frequently found in central Thailand in ca. 7th- 8th centuries, the buddhas seated in the so-called “European fashion” or pendant-legged, often labelled pralambapādāsana in Sanskrit. While briefly dealing with iconographic questions, including the origins and meanings of this particular posture, the paper will also discuss the matter of terminology in relation to the royal symbolism conveyed by this iconography.\",\"PeriodicalId\":158063,\"journal\":{\"name\":\"Bulletin of the Indo-Pacific Prehistory Association\",\"volume\":\"706 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-05-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"8\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin of the Indo-Pacific Prehistory Association\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7152/BIPPA.V31I0.12053\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of the Indo-Pacific Prehistory Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7152/BIPPA.V31I0.12053","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Some Reconsiderations on Pendant-Legged Buddha Images in the Dvāravatī Artistic Tradition
The aim of this paper is to reassess some common ideas about a particular type of buddha image frequently found in central Thailand in ca. 7th- 8th centuries, the buddhas seated in the so-called “European fashion” or pendant-legged, often labelled pralambapādāsana in Sanskrit. While briefly dealing with iconographic questions, including the origins and meanings of this particular posture, the paper will also discuss the matter of terminology in relation to the royal symbolism conveyed by this iconography.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
