{"title":"如何将交互融入到视频编辑软件中?","authors":"C. Jost, Brigitte Le Pévédic","doi":"10.5753/sensoryx.2022.20004","DOIUrl":null,"url":null,"abstract":"This paper explores an idea to enrich existing mulsemedia editing software, getting inspiration from music scores, to have them integrate actions coming from the viewer while editing a mulsemedia. In this paper, we reflect on the possibility to do it with a unique timeline. Thus, we propose to completely change the point of view. Instead of trying to insert the interaction in the timeline, we propose to cut the media into several parts and insert them into the interaction.","PeriodicalId":186296,"journal":{"name":"Proceedings of the 2nd Workshop on Multisensory Experiences (SensoryX 2022)","volume":"117 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"How to integrate interactions into video editing software?\",\"authors\":\"C. Jost, Brigitte Le Pévédic\",\"doi\":\"10.5753/sensoryx.2022.20004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper explores an idea to enrich existing mulsemedia editing software, getting inspiration from music scores, to have them integrate actions coming from the viewer while editing a mulsemedia. In this paper, we reflect on the possibility to do it with a unique timeline. Thus, we propose to completely change the point of view. Instead of trying to insert the interaction in the timeline, we propose to cut the media into several parts and insert them into the interaction.\",\"PeriodicalId\":186296,\"journal\":{\"name\":\"Proceedings of the 2nd Workshop on Multisensory Experiences (SensoryX 2022)\",\"volume\":\"117 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 2nd Workshop on Multisensory Experiences (SensoryX 2022)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5753/sensoryx.2022.20004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 2nd Workshop on Multisensory Experiences (SensoryX 2022)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5753/sensoryx.2022.20004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
How to integrate interactions into video editing software?
This paper explores an idea to enrich existing mulsemedia editing software, getting inspiration from music scores, to have them integrate actions coming from the viewer while editing a mulsemedia. In this paper, we reflect on the possibility to do it with a unique timeline. Thus, we propose to completely change the point of view. Instead of trying to insert the interaction in the timeline, we propose to cut the media into several parts and insert them into the interaction.
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