村上春树的《没有色彩的多崎作和他的朝圣之旅》中的记忆与身份

Nidhu Kumar Dhar
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摘要

村上春树在他的小说中引入了一系列广泛的问题和话题;他塑造的形形色色的人物典型地表现了人类在遇到现代生活问题时的各种态度和行为。村上春树小说中反复出现的一个主题是记忆。小说家有一种独特的能力,可以“从内心”呈现他的人物,从而描述塑造他们的内在机制。他的小说给我们提供了一个了解记忆运作的机会,以及人们是如何被记忆所支配的。他笔下的人物经常发现自己在回忆过去,以维持被某种危机破坏的现在的存在。随着时间的推移,主角们会经历一种深刻的不平衡感,这种不平衡感促使他们回到过去,以重新平衡自己的价值感。在这方面,本文研究了村上春树的小说《无色的多崎作和他的朝圣之年》(2014)中记忆的动态及其在身份形成中的作用。为此,本文借鉴了不同的记忆理论和身份理论进行分析。
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Memory and Identity in Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage
Haruki Murakami introduces a wide array of issues and topics in his fiction; his variegated characters typically enact a wide range of human attitudes and behaviours when encountering the problems of modern life. One recurrent theme in Murakami’s novels is memory. The novelist has a unique ability to present his characters “from the inside”, as it were, describing thus the interior mechanisms that make them who they are. His novels present an opportunity to understand the workings of memory and how people are led by its dictates. His characters often find themselves recollecting their past in order to sustain a present existence that is marred by some type of crisis. As they progress in time, protagonists experience a profound sense of disequilibrium that prompts them to return to the past in order to rebalance their self’s sense of value. In this regard, the paper investigates the dynamics of memory as well as its role in the formation of identity in Haruki Murakami’s novel Colorless Tsukuru Tazaki and His Years of Pilgrimage (2014). For this purpose, the paper draws on different theories of memory and identity in its analysis.
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