跟踪可配置文化从边缘到主流

Aram Sinnreich, Mark Latonero
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引用次数: 4

摘要

在这项研究中,我们分析了2006年和2010年进行的调查数据,追踪了这5年来人们对新兴数字文化形式的认识、参与和态度的变化。我们的分析基于全球数千名成年人的调查结果,结果表明,不仅混搭、混搭和其他形式的“可配置文化”已成为主流现象,而且围绕其文化合法性的态度也在发生变化。虽然版权行业仍然推崇二元盗窃/许可框架,但许多人承认某些盗用的有效性,并积极与法律的局限性进行谈判。然而,那些最热衷于挑战主流版权叙事和探索这些新兴形式的人,是那些掌握文化权力的人:年轻人、受过教育的富人。
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Tracking Configurable Culture from the Margins to the Mainstream
In this study, we analyze data from surveys conducted in 2006 and 2010, tracking changes in awareness, engagement and attitudes surrounding emerging digital cultural forms over this 5-year period. Our analysis, based on results from thousands of adults around the globe, shows that not only have remixes, mashups and other forms of "configurable culture" become mainstream phenomena, but also that the attitudes surrounding their cultural legitimacy are shifting. While copyright industries still promote a binary theft/permission framework, many people acknowledge the validity of some appropriation, and are actively negotiating the law's limitations. Yet, those most engaged in challenging dominant copyright narratives and exploring these emergent forms are those who hold the reins of cultural power: the young, educated and wealthy.
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