第四章。忏悔作为对发展的回归:本雅明·舍维利的循环“忏悔”

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Chapter 4. Contrition as a Returning to Devekut: Binyamin Shevili’s Cycle “Contrition”
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Chapter 6. Caught in the Infinity Catchers: Devekut as A Web of Discourse. Shai Tubaly “Come Here,” “I Came to God,” and “Infinity Catchers” Chapter 11. I Almost Vowed to Touch You: Breaking through Doubt to Daily Devekut. Zelda Schneerson Mishkovsky’s “On that Night” Chapter 8. (Hit)Devekut as Durée of the Godlover: Disentangling Intuitive Time in Binyamin Shevili’s “HomosexuELity” Chapter 13. CODA: Gross, Subtle and Secret Moments of Devekut Chapter 9. Parables and Prayers of Love and Rape: Devekut as Depth and Flow of Self in Tamar Elad-Appelbaum’s “Psalms for Jerusalem”
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