利用“分辨率”提高色彩和谐的研究(二)

M. Kawasumi, Akira Asano
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引用次数: 0

摘要

乐理中的“解调”是指由不和谐音过渡到和谐音的和弦进行,它比单纯的辅音和弦更能给听者带来深刻的满足。作者研究了在时间颜色转换中的类似效应,作为音乐感知效应的类比。在第一部分中,作者使用了三色组合的各种显示模式,通过感官测试测量了颜色和谐度的得分,并揭示了增强“分辨率”效果的条件。在第二部分中,作者重点研究了注视控制的条件。注视点在黑屏上显示为一个小白点,观察者被建议将目光固定在注视点上。当观察者观察颜色的排列和过渡时,白点继续出现。实验结果表明,当颜色排列在外围视野中捕获时,“分辨率”效果更明显。
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Studies on Improving Colour Harmony by “Resolution” (2)
: “Resolution” in music theory means the chord progression by the transition from dissonance to consonance for providing more profound satisfaction to listeners than consonant chord only. The authors have investigated similar effects in temporal color transitions as an analogy of musical perception’s effect. In Part (1), the authors used various display patterns of three-colors combinations, measured the score of the color consonance with a sensory test, and revealed conditions where the “resolution” effect is enhanced. In Part (2), the authors focus on the conditions of gaze control. The fixation point appears as a small white dot on the black screen, and the observers are advised to fix their gaze onto the point. The white dot continues to appear while the observers watch the color arrangements and the transition. The experimental results suggest that the “resolution” effect appears more clearly when the color arrangements are captured in peripheral visual fields.
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