{"title":"20世纪50年代菲律宾电影制片厂时代的电影改编","authors":"Joyce L. Arriola","doi":"10.2307/j.ctv15d805m.6","DOIUrl":null,"url":null,"abstract":"This chapter explores the relationship between the komiks industry and\n the film industry in the Philippines during the peak of the 1950s studio era.\n The discussion outlines how stories from komiks published in magazines\n and dedicated publications served as source texts for these films. Drawn\n from earlier oral, theatre and folkloric sources, the komiks funnel story\n materials towards the films, thereby recycling the success of the texts\n in previous forms and recreating the genres as means of producing a\n distinctly Filipino vernacular modernism. It argues that the komiks-to-film\n adaptation highlights the ability of hybrid/adaptive forms to shape the\n national-popular imaginary.","PeriodicalId":210445,"journal":{"name":"Southeast Asia on Screen","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The 1950s Filipino Komiks-to-Film Adaptation during the Studio Era\",\"authors\":\"Joyce L. Arriola\",\"doi\":\"10.2307/j.ctv15d805m.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores the relationship between the komiks industry and\\n the film industry in the Philippines during the peak of the 1950s studio era.\\n The discussion outlines how stories from komiks published in magazines\\n and dedicated publications served as source texts for these films. Drawn\\n from earlier oral, theatre and folkloric sources, the komiks funnel story\\n materials towards the films, thereby recycling the success of the texts\\n in previous forms and recreating the genres as means of producing a\\n distinctly Filipino vernacular modernism. It argues that the komiks-to-film\\n adaptation highlights the ability of hybrid/adaptive forms to shape the\\n national-popular imaginary.\",\"PeriodicalId\":210445,\"journal\":{\"name\":\"Southeast Asia on Screen\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Southeast Asia on Screen\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv15d805m.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southeast Asia on Screen","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv15d805m.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The 1950s Filipino Komiks-to-Film Adaptation during the Studio Era
This chapter explores the relationship between the komiks industry and
the film industry in the Philippines during the peak of the 1950s studio era.
The discussion outlines how stories from komiks published in magazines
and dedicated publications served as source texts for these films. Drawn
from earlier oral, theatre and folkloric sources, the komiks funnel story
materials towards the films, thereby recycling the success of the texts
in previous forms and recreating the genres as means of producing a
distinctly Filipino vernacular modernism. It argues that the komiks-to-film
adaptation highlights the ability of hybrid/adaptive forms to shape the
national-popular imaginary.