“花开的名字”:澳大利亚西南部的风景、栖息地和植物诗歌

Johnston Ryan
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引用次数: 0

摘要

栖息地诗歌表现了植物、动物的生命和它们生态网络中的自然世界的特征。栖息地诗歌通常详细描述与自然的身体接触,讲述感官参与生态过程的时刻。此外,诗歌中的栖息地意识往往传达出一种与科学话语搏斗的感觉。栖息地诗歌的这些特征将在西澳大利亚西南部生物多样性的背景下进行阐述。西南诗人亚历克·乔特(1915-2010)的作品(礼品;一个标记;心);安德鲁·兰斯当(1954-);约翰·金塞拉(1963)(诗歌;《新阿卡迪亚》用感官语言来表达自然,传达科学与诗歌之间的动态关系。栖息地的概念为我们解读乔特、兰斯当和金塞拉的作品提供了一个解释性框架。这三位诗人不仅可以被描述为风景诗人,更确切地说,可以被描述为栖息地诗人,这是本文所讨论的区别。
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‘The Name Blossomed’: Landscapes, Habitats and the Botanical Poetry of South-West Australia
Habitat poetry represents the lives of plants, animals and the features of the natural world within their ecological networks. Commonly detailing physical contact with nature, habitat poetry narrates moments in which the senses engage with ecological processes. Additionally, habitat awareness in poetry tends to convey a sense of grappling with scientific discourses. These characterisations of habitat poetry will be articulated in the context of the biodiverse South-West of Western Australia. The works of South-West poets Alec Choate (1915-2010) (Gifts; A Marking; Mind); Andrew Lansdown (1954-); and John Kinsella (1963) (Poems; The New Arcadia) use sensory language to express something about nature and convey the dynamics between science and poetry. The concept of habitat provides an interpretative framework for reading Choate,  Lansdown and Kinsella. The three could be described not only as landscape poets but more precisely as habitat poets, a distinction pursued in this discussion.
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