周二晚上是坚果面包:女性音乐节食品

Bonnie J. Morris
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摘要

正如标题所暗示的那样,这篇文章以幽默而又欣赏的方式审视了女同性恋/女权主义音乐节的美食,自1974年以来,这些音乐节在美国几乎所有50个州举办,从一天的活动到两周的露营活动不等。早在莉莉丝音乐节推出霍莉·尼尔、托希·雷根、梅丽莎·埃瑟里奇和“靛蓝女孩”等形形色色的艺术家之前,女性音乐运动的粉丝们就已经开始享受几天的音乐会,并获得节日套餐的餐食。这些通常是素食的餐点是一个完整的亚文化,围绕着某个时代的“女同性恋食物”进行幽默和社交。从政治上讲,食物对这个充满活力的社区有多重要?工人们是如何在各种天气下为树林里多达8000名赤膊妇女准备饭菜的呢?在这个见多识广、激进的社区里,传统女性的烹饪和清洁工作是真正受到尊重——还是,讽刺的是,被视为理所当然?
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Tuesday Night Is Nut Loaf: Women's Music-Festival Foods
As the title suggests, this essay is a humorous but appreciative look at the cuisine of lesbian/feminist music festivals, which since 1974 have ranged from one-day events to two-week campouts in almost all of the fifty American states. Fans of the women9s music movement—which long before Lilith Fair had introduced artists as diverse as Holly Near, Toshi Reagon, Melissa Etheridge, and the Indigo Girls—enjoy several days of concerts and receive meals with their festival packages. These usually vegetarian repasts are an entire subculture of humor and socializing around “lesbian food” of a certain era. How is food important, politically, to this feisty community? How do workers prepare meals for up to 8,000 shirtless women in the woods, in all kinds of weather? And in this very informed, radical community, is the traditional women9s work of cooking and cleaning truly respected—or, ironically, taken for granted?
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