迷失在母性中,发现自己在写作中。在玛丽petitcuenot的《咆哮》中寻找母亲/女性身份

Agnieszka Loska
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引用次数: 0

摘要

这篇文章展示了在玛丽·佩蒂特库萨梅特的自传体小说《我很好》(2021)中,一个女人和一个母亲所经历的失落感与母性之间的联系。本研究以女性主义批判方法为基础,以关怀理论和精神分析理论为基础,阐述了母性如何影响女性和母性身份,并探讨了Marie petitcusamutte如何通过写作找到自我。通过她的分娩经历、产后经历和对她影响最大的家庭日常生活,分析母亲身份对她的生活和女性/母亲身份的影响。
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Se perdre dans la maternité, se retrouver dans l’écriture. À la recherche de l’identité maternelle/féminine dans Ce qui gronde de Marie Petitcuénot
The article demonstrates the connections between motherhood and the feeling of loss experienced by a woman and a mother in Marie Petitcuénot's autobiographical novel, Ce qui gronde (2021). Based on a feminist critical approach, on care theory and on psychoanalytic theories, the study presents how motherhood affects the feminine and maternal identity and examines how Marie Petitcuénot manages to find herself through writing. The impact of motherhood on her life and her feminine/maternal identity is analyzed through her experience of childbirth, the postpartum period and her family daily routine, which affects her the most.
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La figure du labyrinthe entre philosophie, art et littérature Littérature labyrinthique entre texte et sexe dans Journal sexuel d’un garçon d’aujourd’hui d’Arthur Dreyfus Annelies Schulte Nordholt, Georges Perec et ses lieux de mémoire. Le projet de Lieux, Leyde, Brill, coll. « Faux Titre », 2022, 268 p. Ut pictura poesis. From One plus One to the « Godardesques » in contemporary aesthetics L’enquête dans le récit contemporain, une représentation esthétique du labyrinthe
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