{"title":"据称出自贝纳迪诺·拉迪之手:两幅圣玛丽亚·德尔·菲奥里的画作已经指向西格蒙德·科卡帕尼","authors":"Margherita Cricchio","doi":"10.6092/ISSN.2038-6184/7434","DOIUrl":null,"url":null,"abstract":"The contribution makes use of the recent publication of Mario Bevilacqua, dedicated to the projects for the facade of Santa Maria del Fiore, to pursuit an attributing hypothesis related to two anonymous drawings kept in the Gabinetto Disegni e Stampe of the Uffizi. Through a document analysis it is possible to cast doubt on the attribution, already suggested by critics, Sigismondo Coccapani in favor of cortonese architect Bernardino Radi.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"For an alleged attribution to Bernardino Radi: two drawings for Santa Maria del Fiore already pointing to Sigmund Coccapani\",\"authors\":\"Margherita Cricchio\",\"doi\":\"10.6092/ISSN.2038-6184/7434\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The contribution makes use of the recent publication of Mario Bevilacqua, dedicated to the projects for the facade of Santa Maria del Fiore, to pursuit an attributing hypothesis related to two anonymous drawings kept in the Gabinetto Disegni e Stampe of the Uffizi. Through a document analysis it is possible to cast doubt on the attribution, already suggested by critics, Sigismondo Coccapani in favor of cortonese architect Bernardino Radi.\",\"PeriodicalId\":269664,\"journal\":{\"name\":\"Figure\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Figure\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/ISSN.2038-6184/7434\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Figure","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2038-6184/7434","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这项贡献利用了Mario Bevilacqua最近的出版物，致力于Santa Maria del Fiore立面的项目，以追求与乌菲齐博物馆Gabinetto Disegni e Stampe中保存的两幅匿名画作有关的属性假设。通过文献分析，有可能对评论家提出的归属提出质疑，Sigismondo Coccapani支持意大利建筑师Bernardino Radi。
For an alleged attribution to Bernardino Radi: two drawings for Santa Maria del Fiore already pointing to Sigmund Coccapani
The contribution makes use of the recent publication of Mario Bevilacqua, dedicated to the projects for the facade of Santa Maria del Fiore, to pursuit an attributing hypothesis related to two anonymous drawings kept in the Gabinetto Disegni e Stampe of the Uffizi. Through a document analysis it is possible to cast doubt on the attribution, already suggested by critics, Sigismondo Coccapani in favor of cortonese architect Bernardino Radi.
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