{"title":"罗斯坦与茨维塔耶娃作品中的浪漫主义","authors":"V. Zuseva-Ozkan","doi":"10.31860/0131-6095-2023-2-214-223","DOIUrl":null,"url":null,"abstract":"The article examines the «Rostand layer» in the fictional and ego-documentary works of M. I. Tsvetaeva. Rostand’s work became one of the main sources that informed Tsvetaeva’s concept of Romanticism, which she perceived as a facet of her own soul, rather than as a literary phenomenon. Analyzing the motives, images, plot twists of Rostand, Tsvetaeva shows that it was a comprehensive influence that affected her throughout her life and was not limited to a purely «literary» sphere.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"E. ROSTAND AND THE ROMANTICISM IN THE WORKS OF M. I. TSVETAEVA\",\"authors\":\"V. Zuseva-Ozkan\",\"doi\":\"10.31860/0131-6095-2023-2-214-223\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article examines the «Rostand layer» in the fictional and ego-documentary works of M. I. Tsvetaeva. Rostand’s work became one of the main sources that informed Tsvetaeva’s concept of Romanticism, which she perceived as a facet of her own soul, rather than as a literary phenomenon. Analyzing the motives, images, plot twists of Rostand, Tsvetaeva shows that it was a comprehensive influence that affected her throughout her life and was not limited to a purely «literary» sphere.\",\"PeriodicalId\":347003,\"journal\":{\"name\":\"Russkaya Literatura\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Russkaya Literatura\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31860/0131-6095-2023-2-214-223\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Russkaya Literatura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31860/0131-6095-2023-2-214-223","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
E. ROSTAND AND THE ROMANTICISM IN THE WORKS OF M. I. TSVETAEVA
The article examines the «Rostand layer» in the fictional and ego-documentary works of M. I. Tsvetaeva. Rostand’s work became one of the main sources that informed Tsvetaeva’s concept of Romanticism, which she perceived as a facet of her own soul, rather than as a literary phenomenon. Analyzing the motives, images, plot twists of Rostand, Tsvetaeva shows that it was a comprehensive influence that affected her throughout her life and was not limited to a purely «literary» sphere.