神之杀手乐队在三宝垄的演出

Rico Aprilliano, Bagus Susetyo
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引用次数: 0

摘要

Killer of Gods,也被称为KOG,曾参加过Rockin Solo和Jakarta等活动。KOG的表演风格成功地在舞台上营造了一种充满活力的氛围,并通过动态灯光的使用来增强音乐体验,吸引了观众。本研究旨在探讨“神之杀手”乐队的演出形式,以供音乐人和其他研究者参考。本研究采用现象学的定性方法。通过观察、访谈和文献资料收集数据。通过三角剖分保证数据的有效性。数据分析过程包括数据收集、数据简化、数据呈现和得出结论。《杀神者》的表演形式包括构图和呈现两个方面。作曲方面包括节奏、旋律、和声、乐器、歌词、编曲、阵型和表演元素。同时,表演方面包括舞台设计、音响系统、灯光、化妆、表演计时和音乐表演。此外,在音乐演出中,Killer of Gods还专门演奏自己的作品。
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The Performance of Killer of Gods Band in Semarang
Killer of Gods, also known as KOG, has participated in events such as Rockin Solo and Jakarta. The performance style of KOG has successfully created an energetic atmosphere on stage, and captivated the audience with the use of dynamic lighting to enhance the musical experience. This research aimed to explore the performance format of the band Killer of Gods, serving as a reference for musicians and other researchers. The study employed a qualitative method with a phenomenological approach. Data collection was conducted through observation, interviews, and documentation. Data validity was ensured through triangulation. The data analysis process involved data collection, data reduction, data presentation, and drawing conclusions. The performance format of Killer of Gods consists of two aspects, namely composition and presentation. The composition aspect includes rhythm, melody, harmony, instruments, lyrics, arrangement, formation, and performance elements. Meanwhile, the presentation aspect includes stage design, sound system, lighting, makeup, performance timing, and music presentation. In addition, Killer of Gods exclusively performs their own compositions during their music performances.
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