{"title":"黄金时代与衰落之间的“老意大利”:andre del Sarto(1833)、Lorenzaccio(1834)和Musset的《提香之子》(1838)中的危险艺术","authors":"L. Bertrand","doi":"10.58282/colloques.6908","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":415091,"journal":{"name":"Les chefs-d'œuvre inconnus au XIXe siècle","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"« La vieille Italie » entre âge d'or et décadence : l'art en péril dans André del Sarto (1833), Lorenzaccio (1834) et Le Fils du Titien (1838) de Musset\",\"authors\":\"L. Bertrand\",\"doi\":\"10.58282/colloques.6908\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":415091,\"journal\":{\"name\":\"Les chefs-d'œuvre inconnus au XIXe siècle\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-02-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Les chefs-d'œuvre inconnus au XIXe siècle\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.58282/colloques.6908\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Les chefs-d'œuvre inconnus au XIXe siècle","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.58282/colloques.6908","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
« La vieille Italie » entre âge d'or et décadence : l'art en péril dans André del Sarto (1833), Lorenzaccio (1834) et Le Fils du Titien (1838) de Musset